Alexis Contant

Joseph Pierre Alexis Contant (12 November 1858 – 28 November 1918) was a Canadian composer, organist, pianist, and music educator. Trained as a pianist, he became one of the first Canadians to compose large-scale choral and orchestral works, in spite of the difficulty of finding suitable teachers of musical composition. His younger years were spent mostly in teaching, family, and work as a church organist, and many of his compositions were written later in life.

Early life Contant was born in Montreal, the son of two amateur musicians. His father was a violinist who was involved in a number of community ensembles and his mother was a piano and voice student of Emma Albani. His younger siblings, Marie and Joseph-Albert, also became musicians. All three children had their initial musical lessons from their mother. At the age of 11, Contant became a pupil of organist and pianist Joseph-A. Fowler and two years later gave his first public recital. At the age of 17 he became a student of Calixa Lavallée, who had just returned from Paris. Contant himself wanted to pursue studies in Europe, but his father forbade him to go in fear that European society might be detrimental to Alexis's religious faith. While there he also had the opportunity to attend operas for the first time and went to many orchestral concerts and recitals. He was particularly moved by a concert of Charles Gounod's La Rédemption. During the trip, Lavallée became ill and Contant was asked to substitute for his teacher in several concerts, which gave him attacks of severe stage fright. These attacks led him to decide to abandon a performance career in favor of composition, teaching, and the organ for church work. After his death in 1918, he was entombed at the Notre Dame des Neiges Cemetery in Montreal.

Compositions Contant's compositional output was minimal before 1900. As his children grew older, he was able to devote more time to composition and therefore his later life was his most productive. His works were published in Paris by Hamelle, Haussman, and L. Grus and in Montreal by Archambault, Beauchemin, Joseph-Émile Bélair, A.J. Boucher, L. Cardinal, Édition Belgo-Canadienne, and J.-G. Yon and in Le Passe-Temps. The Canadian Encyclopedia states that, "Contant was a pioneer whose vision was on a large scale, and although the results of his efforts do not equal his ambitions, he displays a sincerity and honesty worthy of admiration."

One of Contant's first pieces to be widely played in both Canada and Europe was La Lyre enchantée (1875), a 'fantaisie-nocturne' for piano. His third mass was premiered in February 1903 at the Monument national in a performance conducted by Edmond Hardy. Also premiered at the Monument-National was his Caïn in November 1905; it was one of the first oratorios written by a Canadian composer. He wrote a second oratorio, Les Deux Âmes, which was composed between 1905 and 1909 but did not premiere until 1913. His Trio for violin, cello and piano is the most often performed of his major works. After a stroke in 1914 he composed only one more song, Sur Un Crucifix to a poem by Albert Lozeau.