Aileen Osborn Webb

Early life Aileen Osborn was born on June 25, 1892 in Garrison, New York to William Church Osborn, an art collector who later donated his art pieces to the Metropolitan Museum of Art and active member of the Democratic Party, and Alice Clinton Hoadley Dodge, a philanthropist, social reformer and daughter of William E. Dodge Jr. and then in Paris, where she learned to speak French. The couple got married on September 10, 1912, in Garrison. They had three boys and one girl: Derrick, William, Richard, and Barbara.

Family influence Webb had deep knowledge of art and education. The men in Aileen Osborn Webb's family had a lot of influence on her, as they set the bar extremely high with humanitarian and civil contribution; their lives were "full of good works".

Her father, William Church Osborn, was the director of the Metropolitan Museum of Art. Her paternal great-grandfather, Jonathan Sturges, her maternal great-grandfather William Earl Dodge Sr. and her paternal grandfather, William Henry Osborn, were all superior art patrons of the Hudson River School and were associated with Frederic Edwin Church— William Osborn was a close fellow of the artist. In 1956, she founded the Museum of Contemporary Crafts, now known as the Museum of Arts and Design, the first museum to exhibit craft art by living artists. She and her associates felt that the more crafts they sold, the more lives they would advance, not only on a financial rank for the artists, but a greater rank of meaning for the buyers as well." In the late 1930s, Webb became interested in craft making herself. She was a potter, enamelist, watercolorist, and wood carver.

The America House was an outlet for crafts. "The name "America House" was suggested by league member Laurits Christian Eichner, a pewter craftsman". Selling was not always the marketing strategy at the America House. In the early 1940s, Webb and her associates held many craft exhibitions. "America House gallery could tour Craftsmanship of New England." Their exhibitions offered the best of local contemporary crafts such as, furniture, tapestry, and stained glass. The Hands of Servicemen, on exhibit later that year, reflected current affairs and Webb's own desire to see servicemen equipped with useful skills.

Throughout these exhibitions, Webb was creating shows that defined her belief in the potential of craft to elevate society's tastes. These exhibitions also offered useful skills to people who were interested in crafts as a career and served as a political tool between countries. Exhibition space need became an official goal of the American Craftsmen's Council after its primary success exhibiting crafts at America House. Contemporary Furniture from the School for American Craftsmen began at the America House gallery in 1951. Aileen Webb indicated how education and marketing that were linked intimately were to the success of the contemporary craftsmen, and she used the chance to display the students' work to benefit public exposure for the developing artists. Craft Horizons was an informal newsletter published by Aileen Webb in 1941. Although it started out as a simple newsletter published after Mrs. Webb recognized the significance of communicating America House's activities, it eventually became a leader in the documentation of the craft world. By 1979, Craft Horizons averaged an impressive 40,000 copies in its monthly circulations. Known today as American Craft, Craft Horizons has become the country's main craft publication.

Other houses In the 1950s, she bought a penthouse residence that combined two apartments designed by David Campbell on East 72nd Street in Manhattan. Her living-room included a painting by Claude Monet and her front entrance weavings by Lenore Tawney. She also owned a painting by Paul Gauguin. Her penthouse included a studio, where she handcrafted, wood carved, painted and wrote poetry.

She spent her weekends in her hometown house in Garrison, which included a table by Wendell Castle. She summered in her husband's family home, Shelburne Farms in Shelburne, Vermont, where she had a "glass house" built on Lake Champlain. This house was furnished with modern furniture, and a large mural by Glen Michaels.

Death Webb died on August 15, 1979, at the age of 87, in her home in Garrison, New York.