Agnes Burns

Agnes Burns or Agnes Galt was the eldest sister of Scottish poet and lyricist Robert Burns. She was born in 1762 at the Alloway Cottage who had worked for her brother Gilbert at Dinning Farm in Nithsdale.

Life and character

Agnes's siblings were Robert Burns (b. 25 January 1759); Gilbert (b. 28 September 1760); Annabella Burns (b. 14 November 1764); William (b. 30 July 1767); John (b. 10 July 1769); Isabella (b. 27 July 1771).

Agnes Broun recalled that her husband only once took a strap to his children and that was to their daughter Agnes when she showed reluctance to pay attention to his reading lessons and that "..it had had a good effect upon the child's temper."

Agnes moved in 1817 with William to the Fortescue Estates at Stephenstown offered him the post of Confidential Manager on the Stephenstown Estate for the generous salary of 40 guineas per annum

William in the years 1821–1822 planted 53,000 trees on the estate as well as many shrubs and flowers. He also insisted on buying the best farm equipment and as a result in 1847, part of the Fortescue estate was considered to be one of the best farms in the British Isles.

It is recorded by Major McClintock that she had a strong Ayrshire accent, saying that "she was as unprepossessing a female as one would care to see. But, oh! to hear her read her brother's poems was a caution, with hard rasping delivery, that I question if many out of Ayrshire could make out the meaning of a word she said."

The couple never had any children and Agnes worked on the estate for many years as a dairy maid. Agnes died in the cottage in 1834 aged 72 and William lived on at the estate at Lakeview Cottage for another thirteen years until he died in 1847.

Agnes's religious education was partly taught at home by her father, using the A Manual of Religious Belief that William Burnes had written for that purpose, assisted by John murdoch. It was used for her siblings as well as herself.

Stephenstown Pond Project William and Agnes's cottage at Knockbridge is now a museum and coffee shop in a nature park and conference centre. The cottage's museum section explores the life and works of the poet as well as interpreting his sister's life as a dairymaid on the estate, the estate itself and the Fortescue family. The Belfast Burns Club and the Stephenstown Pond Trust undertook the restoration project in 1996 writing that

We, the Belfast Burns Club, recognised that some form of Peace and Reconciliation Initiative in this island of ours might not go astray, and what better format for it to take but an association with Robert Burns and his work?