Yusuf İsmail

Yusuf İsmail (1857 – July 4, 1898), also known as Youssouf Ishmaelo, was a Turkish professional wrestler who competed in Europe and the United States as Yusuf Ismail the Terrible Turk during the 1890s. During his lifetime, native Turks knew him as Şumnulu Yusuf Pehlivan. However, writer Rıza Tevfik posthumously awarded him the honorific Koca ("Great"), and thus he was later remembered as Koca Yusuf.

Known for his massive size and brute strength, he was recognized as one of the top three strongmen in the world by Alan Calvert, a pioneer of American weight training, and photographer Edmond Desbonnet during the turn of the century. Prior to his arrival in the United States, he remained undefeated in his near four-year career and successfully challenged Evan "Strangler" Lewis for the American Heavyweight Championship in 1898. Yusuf Ismail was the original wrestler to be known as "the Terrible Turk", but several others, including Kızılcıklı Mahmut (promoted as his son) and Armenian-American Robert Manoogian, also used the name throughout the first half of the 20th century.

After earning a small fortune wrestling in the United States, Yusuf was heading back home to Europe on the Compagnie Générale Transatlantique's 12 year old ship, the SS La Bourgogne. He distrusted banks and carried all of his winnings, estimated to be between $8,000 and $10,000 in gold coins, in a heavy canvas money belt strapped around his waist. The sheer volume of gold coins weighed around 40 to 50 pounds. When the La Bourgogne collided with the Cromartyshire and sank on 4 July 1898, İsmail was lost in the sinking.

Biography Early career and the "Turkish Invasion"

Little is known of his early life prior to his first wrestling appearance in 1894, however, according to Scottish wrestling historian William Baxter, Yusuf Ismail was born Youssuf Ishmaelo in Bulgaria (then part of the Ottoman Empire) in 1857 to a Muslim Turkish family. Ismail first came to prominence when he won the Kırkpınar Tournament in 1887. Edmond Desbonnet claimed in his book Les Rois de la Lutte (1910) that the Turkish invasion began in 1894 after a wrestler named Joseph Doublier was defeated by a rival, Sabès. In search of someone who could defeat Sabès, Doublier visited Turkey and brought back three wrestlers: Kara Osman, Nurullah Hasan, and the 6'2", 250-pound Yusuf Ismail. Doublier had also brought Katrancı Mehmet Pehlivan and Kurtdereli Mehmet Pehlivan to Paris a while before. In his Paris debut, Ismail defeated Sabès in four seconds. Sabès had attempted to use a front belt hold, but Ismail withstood the hold and pinned him using a chokehold.

Ismail spent the next three years in France, where he dominated opponents. A colorful figure, he was also known for his fierce pride. When rivals Antonio Pierri and Tom Cannon threatened to bring in a wrestler to defeat him, Ismail reportedly said he would cut his own throat if he was ever beaten. His match against another fellow Turk, Ibrahim Mahmut, was said to be one of the "most brutal bouts ever seen on the mat" at the Cirque d'Hiver in Paris. Ismail became so enraged during the match that he tore at Mahmut's nostrils, broke his ribs, and twisted his arms. Although referee Tom Cannon had attempted to stop the match, only the intervention of a police inspector and six officers along with several spectators were able to separate the two. Kara Osman had been originally scheduled to face Ismail but had fallen ill, and Mahmut had taken his place. According to a rumor heard by French promoter Joseph Doublier, Osman had actually withdrawn from the match because he feared for his life because of an unspecified grudge between Ismail and himself. Ismail, who may have intentionally fouled himself, caused the crowd to riot when he pushed Roeber out of the ring, a raised platform, and caused him to fall headfirst onto the ground five feet below. Roeber was unconscious for several minutes, and many in the crowd believed he had been killed, causing spectators to charge into the ring. Only a small police guard under Chief of Police John H. McCullagh were able to block the crowd from entering.

Roeber was revived after a few minutes and examined by physicians for injuries. Having landed on his shoulder, it was announced that he had suffered a back injury and it was decided that he would not be able to continue. Referee Hugh Leonard awarded the match to Roeber and, with calls to "Kill the Turk" and threats of lynching from those in attendance, Ismail was escorted by police to his dressing room. Ismail's manager, William Brady, offered to stage an exhibition bout between Ismail and Tom Cannon, but McCullagh refused to allow the event to continue due to concerns of rioting. The match was described in the 1907 novel The Substitute: A Football Story by sports writer Walter Camp.

A rematch between Ismail and Roeber was held at the Metropolitan Opera House on April 30. During the bout, the two began a shoving match, which caused their managers, William Brady and Martin Julian, to enter the ring. Brady and Julian, who also managed rival heavyweight boxing champions Jim Corbett and Bob Fitzsimmons, began arguing over the management of their respective men. When Fitzsimmons attempted to intervene, several fans stormed the ring and referee Herman Wolff declared the match a no-contest before the event could once again end in a near-riot. Opera House management closed the venue to wrestling events soon after.

Death Shortly after his victory over Lewis, Ismail took the first ship back to Europe, where he reportedly planned to open a coffee or bazaar in his native village near Shumen. He was one of 562 people who drowned when the ocean liner sank on the morning of July 4, 1898. According to colorful accounts from the New York press, Ismail fell overboard while passengers were being evacuated to the lifeboats. Dragged underwater by the weight of his money belt, supposedly containing between $8,000 and $10,000 in gold coins, he drowned before the crew could get to him. Other journalists and surviving passengers claim to have seen "the Terrible Turk" throw women and children overboard trying to reach the lifeboats; however no mention of this was included in the official report and is generally assumed to have originated by Ismail's manager and promoter William Brady, who went on to become a successful Broadway producer.

Cultural depictions In 1966, the film "Koca Yusuf" starring Özdemir Aydın as Koca Yusuf.