William Russo

William Joseph Russo (June 25, 1928 – January 11, 2003) was an American composer, arranger, and musician from Chicago, Illinois, United States.

History A student of jazz pianist Lennie Tristano, Russo wrote orchestral scores for the Stan Kenton Orchestra in the 1950s, including 23 Degrees N 82 Degrees W, Frank Speaking, and Portrait of a Count.

In 1962, Russo moved to England and worked for the British Broadcasting Corporation (BBC). While working in London he founded the London Jazz Orchestra. He was a contributor to the third stream movement which sought to combine jazz and classical music. In 1965 he returned to his native Chicago and founded the music department at Columbia College Chicago. He was the director for the Center for New Music and the college's first full-time faculty member. He was the Director of Orchestral Studies at Scuola Europea d'Orchestra Jazz in Palermo, Italy.

Besides writing for jazz ensembles, Russo composed classical music, including symphonies and choral works, and works for the theater, often mixing elements of the genres. His 1959 Symphony No. 2 in C "TITANS" received a Koussevitsky award, and marked his entrance into the classical-music world. It was performed by the New York Philharmonic that year with Leonard Bernstein conducting (Bernstein had commissioned the piece) and trumpeter Maynard Ferguson appearing as soloist.

The 1973 album that included Russo's Three Pieces for Blues Band and Symphony Orchestra became a big seller for Deutsche Grammophon, with its cross-genre performance by the San Francisco Symphony Orchestra, with Seiji Ozawa conducting and the Siegel-Schwall Band. (Ozawa had premiered "Three Pieces for Blues Band and Symphony Orchestra" with the Chicago Symphony Orchestra and the Siegel-Schwall Band in 1968.) The success prompted the label to release Russo's Street Music, A Blues Concerto in 1979, featuring Corky Siegel on harmonica and piano.

Russo's theater works included a rock cantata, The Civil War (1968), based on poems by Paul Horgan. A politically charged multimedia piece for soloist, chorus, dancers, and rock band, The Civil War paralleled the American Civil War and the martyrdom of President Lincoln with the turbulent civil rights and antiwar movements of the 1960s and the murders of Martin Luther King Jr. and Robert F. Kennedy. Russo followed The Civil War with other rock-based multimedia music-theater works, including Liberation, Joan of Arc, Aesop's Fables, The Bacchae, and Song of Songs. These were performed by the Chicago Free Theater, which Russo founded and directed. The Free Theater spawned companies in Baltimore and San Francisco.

In 1969, Russo and director Paul Sills, founding director of the Second City, and community activist Rev. Jim Shiflett testablished the Body Politic Theatre. Russo's other works for the theater include the operas John Hooton (1962), The Island (1963), Land of Milk and Honey (1964), Antigone (1967), The Shepherds' Christmas, The Pay-Off (1983–84), The Sacrifice, and Dubrovsky (1988), as well as a double bill of operas inspired by commedia dell'arte, Isabella's Fortune and Pedrolino's Revenge (performed off-Broadway in 1974), and a musical fairy tale for children, The Golden Bird, for singers, narrator, dancers, and symphony orchestra (premiered in 1984 under the auspices of the Chicago Symphony Orchestra). His collaborators included Adrian Mitchell, Arnold Weinstein, Jon Swan, Alice Albright Hoge, Irma Routen, Naomi Lazard, Robert Perrey, Donald T. Sanders, Albert Williams, Jonathan Abarbanel, and Denise DeClue. Russo also composed art songs set to poetry by Edna St. Vincent Millay, W. H. Auden, and Gertrude Stein, as well as scores for dance and film.

As part of his work with Columbia College, he started the Chicago Jazz Ensemble (CJE), which was dedicated to preserving and expanding jazz. A few years later this ensemble disbanded but was reborn in 1991. Russo's successor as artistic director was trumpeter Jon Faddis. Russo appeared with the band at the Jazz Showcase nightclub during the week before his death. After struggling with cancer, he retired as chair of the Columbia College Music Department in 2002. He died in 2003.

Personal life Russo married Shelby Jean Davis, a singer. The couple had one child: Camille Blinstrub. He later married Jeremy Warburg, a music teacher, who was a granddaughter of American magazine publisher Condé Nast. They had two children: Alexander Russo and Condée Nast Russo. ) Something new, something blu (Columbia, 1959) A symphony of popular songs (Sesac late '50) School of Rebellion (Roulette, 1960) The Seven Deadly Sins (Roulette, 1960) Russo in London (Columbia, 1962) with London Jazz Orchestra Stereophony (FM, 1964) Stonehenge (Columbia, 1964) with London Jazz Orchestra Virtuosity : A contemporary look (Columbia 1964) The carousel suite (GM, 1983)

As composer Three Pieces for Blues Band and Symphony Orchestra, Op. 50 (San Francisco Symphony, Seiji Ozawa, Siegel-Schwall Band) (Deutsche Grammophon, 1973) Street Music, Op. 65 (San Francisco Symphony, Seiji Ozawa, Corky Siegel) (Deutsche Grammophon, 1977) Three Pieces for Blues Band and Symphony Orchestra, Op. 50 (San Francisco Symphony, Seiji Ozawa, Siegel-Schwall Band), Street Music, Op. 65 (San Francisco Symphony, Seiji Ozawa, Corky Siegel) (Deutsche Grammophon, 2002)

As sideman or arranger With Stan Kenton Innovations in Modern Music (Capitol, 1950) Stan Kenton Presents (Capitol, 1950) Popular Favorites by Stan Kenton (Capitol, 1953) Sketches on Standards (Capitol, 1953) This Modern World (Capitol, 1953) Portraits on Standards (Capitol, 1953) - arranger only Kenton Showcase (Capitol, 1954) - composer and arranger The Kenton Era (Capitol, 1955) The Innovations Orchestra (Capitol, 1997) With Shelly Manne The West Coast Sound (Contemporary, 1955) - composer/arranger of 3 tracks

With Lee Konitz An Image: Lee Konitz with Strings (Verve, 1958) - conductor and arranger

With Julian "Cannonball" Adderley Jump For Joy (EmArcy, 1958) - conductor and arranger

List of compositions Aesop's Fables, 1972 Allegro for Concert Band, Op.12, 1957 An Album of Songs, Op. 94, 1987 Anthem of Liberty and Justice, 1982 Antigone, Op.49, 1967 The Bacchae, 1973 A Cabaret Opera, Op. 70, 1985 The Carousel Suite, Op.63 Canticle Chicago Suite No. 2, Op. 97, 1996 City in a garden, Op. 74, 1998 The Civil War, Op.52 Concerto in C for Violoncello and Orchestra, Op.41, 1962 Concerto Grosso, Op.37, 1960 Convalescence, 1989 The Daffodil's Smile, Op.28 David, Op.54, 1968 Dubrovsky, Op.83, 1987, 1992 Dubrovsky Suite No.2, Op.99 Elegy, Op.81, 1986 The English Concerto, Op.43 Ennui, Op.8, 1980 Frank Speaking, Op.5 A General Opera, Op.66,1976 The Golden Bird, Op.77, 1985 An Image of Man, Op.27, 1985 In Memoriam, Herman Conaway, Op.95, 1994 The Island, Op.42 Joan of Arc, 1970 John Hooton, Op.36, 1962 Jubilatum, Op.101, 1999 Land of Milk and Honey, Op.45, 1964 Liberation, Op.55, 1969 Mass, Op.99, 1996 Margery Kemp, Op.72 Memphis, Op.84, 1987 Missa, Op.100, 1997 Newport Suite, Op.24 Oedipus Rex, Op.79[?] Pedrolino's Revenge, Op.62, 1975 The Sacrifice, Op.88, 1990 The Seasons, Op.90, 1991, 1993 The Seven Valleys, Op.68, 1976 The Shepherd, Op.100, 2000 The Shepherds' Christmas, Op.71, 1990 Songs of Celebration, Op.58, 1971 Song of Songs, Op.60, 1972 Spectrum, Op.39 Street Music, Op.65, 1975 Suite for Violin, Op.46 Symphony No.2 in C: Titans, Op.32 Talking to the Sun, Op.86, 1989 Three Pieces for Blues Band and Orchestra, 1968, 1973 Time of Angels, Op.84, 1986 The Touro Cantata, Op.85, 1989 Wither Weather, Op.69, 1978 Women, Op.89, 1990

List of print works Composing for the Jazz Orchestra (Chicago: The University of Chicago Press, 1961, ) Jazz Composition and Orchestration (Chicago: The University of Chicago Press, 1968 ) Workbook for Composing for the Jazz Orchestra Co-Authored With Reid Hyams (Chicago: The University of Chicago Press, 1978, ) Composing Music: A New Approach (Chicago: The University of Chicago Press, 1988, )