Teju Cole

Personal life and education Cole was born in Kalamazoo, Michigan, to Nigerian parents, and is the oldest of four children. Cole and his mother returned to Lagos, Nigeria, shortly after his birth, where his father joined them after receiving his MBA from Western Michigan University. then pursued a doctorate in art history at Columbia University. He is the Gore Vidal Professor of the Practice of Creative Writing at Harvard University and currently lives in Cambridge, Massachusetts.

Career

Author Cole is the author or co-author of several books, among them the novella Every Day Is for the Thief; the novel Open City; and a photobook, Punto d'Ombra (2016) (published in English in 2017 as Blind Spot). Salman Rushdie has described Cole as "among the most gifted writers of his generation".

He was a Distinguished Writer in Residence at Bard College. From June to November 2014 he was "writer in residence" of the and the in Zurich.

Every Day Is for the Thief

Published in 2007, Cole's debut novel, Every Day Is for the Thief, is the story of a young man who sets out to visit his home country, Nigeria, after being away for fifteen years. The novel reads like a travel diary explaining the way of life in the city of Lagos and along the way, exposes how the democratic nature of corruption can affect anyone regardless of their status in the society. The majority of Open City centers on Julius' inner thoughts as he rambles throughout the city, painting scenes of both what occurs around him and past events that he can't help but dwell on. Ostensibly in search of his grandmother, Julius spends a number of weeks in Belgium, where he makes some interesting friends. Along the way, he meets many people and often has long discussions with them about philosophy and politics. He seems to welcome these conversations. Upon returning to New York, he meets a young Nigerian woman who profoundly changes the way he sees himself."

Open City was translated into ten languages and has received generally positive reviews from literary critics. James Wood in The New Yorker calls it a "beautiful, subtle, and, finally, original novel". The Independent characterizes Open City as "hypnotic", "transfixing", and a "striking debut" for Cole, while Time referred to the novel as "a profoundly original work, intellectually stimulating and possessing of a style both engaging and seductive." Writing for the New York Times, the poet Claudia Rankine called it "an essential and scintillating journey," and singled out, in particular, his essays on photography, wherein he "reveals [his] voracious appetite for and love of the visual."

Journalism and social commentary Cole is a regular contributor to publications including the New York Times, Qarrtsiluni, Granta, The New Yorker, Transition magazine, The New Inquiry, and A Public Space. Quarrtsiluni (2005–2013) was an online literary magazine that attempted to edit blog software from social media; the purpose behind it was to give full access to writers/commentators of various issues "who never quite realized our dream of creating a print-on-demand option for each issue." His monthly column for The New York Times Magazine, "On Photography," was a finalist for a National Magazine Award in 2016.

Cole has been credited with coining the term "White Savior Industrial Complex" with a series of tweets followed by an article published in The Atlantic. The original series of tweets that precipitated the article elicited a response from NY Times columnist Nicholas Kristof whom Cole named as an example of a white savior. Kristof mistakenly referred to Cole, a Nigerian-American, as a Ugandan, said that he believed Cole was part of a backlash against white humanitarians from middle-class African scholars. Kristof said that he felt uncomfortable because he thought that Cole was saying that "white Americans should not intervene in a humanitarian disaster because the victims are of a different skin color." Writing in The New Yorker two days after the massacre of the Charlie Hebdo staff by Islamists in Paris, Cole claimed that the French publication was "racist and Islamophobic", a charge met with criticism from numerous commentators, including the president of SOS Racisme, France's leading anti-racism organization, who praised Charlie Hebdo as "the greatest anti-racist weekly in this country."

Photography Cole's photography was shown in a solo exhibition in Milan in 2016 called Punto d'ombra. The photographs from this exhibition were published by the Italian publisher Contrasto Books in 2016, and by Random House in 2017 under the title Blind Spot.

For Performa 17, Cole created the installation Black Paper (2017) in which his photographs and videos were accompanied by a score of field recordings and readings of incisive text. The artwork was presented at the BKLYN Studios at City Point.

Social media Cole's innovative use of social media (particularly Twitter and Instagram) as a creative platform has been widely acknowledged.

Awards and honors 2011 Time magazine's "Best Books of the Year" for Open City 2012 National Book Critics Circle Award finalist for Open City 2012 PEN/Hemingway Award for Debut Novel winner for Open City 2012 Ondaatje Prize shortlist for Open City 2012 The Morning News Tournament of Books finalist 2013 International Literature Award for the German-language translation by Christine Richter-Nilsson of Open City 2015 Windham–Campbell Literature Prize (Fiction) valued at $150,000 2018 Guggenheim Foundation Fellowship for Creative Arts

Publications

First edition in English in the United States A novella. A novel An essay collection. A photobook. Text and illustrations. A novel.

First edition in England

Photographs. Photographs and text. Photographs.

First edition published elsewhere