Sue Davies

Susan Elizabeth Davies OBE HonFRPS (née Adey; 14 April 1933 – 18 April 2020) was the founder of The Photographers' Gallery in 1971, Britain's first independent gallery of photography, which she directed until 1991.

Early life Davies was born in Abadan, Iran, on 14 April 1933 where her father Stanworth Adey was working as an engineer at the Anglo-Iranian Oil Company, and the family later moved to New York. The couple had three children, Joanna, Jessica and Stephanie. (Stephanie, the youngest, died from cancer in 1988.)

Davies worked on the Municipal Journal and then started a part-time job at the Artists Placement Group in London before taking a job at the Institute of Contemporary Art (ICA) in 1968 where she was exhibitions secretary to Roland Penrose, the ICA's co-founder. a large group exhibition from Stern magazine on the subject 'Woman'. A parallel show included British artists Dorothy Bohm, Tony Ray-Jones, Don McCullin, and Italian Enzo Ragazzini, and it was the British photographers who were among those to suggest Davies open a dedicated photography gallery.

Founder, The Photographers' Gallery One of five staff at the Institute of Contemporary Arts in Dover Street London, and one of 36 after it moved to The Mall, Davies experienced its period of anarchic management and overrun budget. She decided to rectify the lack of a permanent gallery space for photography as a serious art form, encouraged by the success of Bill Jay's "Do Not Bend Gallery", which he opened in 1970, though he did not show photography exclusively.

Davies registered the business as a charity and found patrons and supporters in Magnum agency photographers such as David Hurn, and newspaper publishers Tom Hopkinson and David Astor, who with Roy Strong assisted her in managing the first year expenses of £12,000 paid from the entry fees of 20,000 visitors, and further funding from the Arts Council covering a deficit of around £7,000. That year, on November 7 an Observer newspaper report described her effort;

Around The Photographers' Gallery Davies formed a photographic community in London rivalling that already established in New York. 3500sq.ft. of space accommodated exhibitions and room for the public to meet and to listen to speakers. International figures such as Arthur Tress and JH Lartigue, showed in the space, presented talks and workshops, and were offered accommodation in Davies' small flat at the top of 5 Great Newport Street as a way of encouraging their interaction with the Gallery patrons and attendance at parties that became legendary.

Impact

Exhibitions were wide-ranging in subject matter; the first was The Concerned Photographer curated by Cornell Capa, and the second, a show of Andy Warhol's Polaroids, was followed by exhibitions with themes devoted to industry, fashion and landscape, and young photographers. Not all exhibitors met with approval of critics however, and in particular Davies' showings—three in as many years—of David Hamilton were condemned by Euan Duff for its "clichéd pictorial symbolism, exploiting soft focus, pastel colours, country landscapes and old houses, old fashioned clothes and even white doves to give a phoney impression of heaIth-food ad naturalness; they are a sort of wholemeal stoneground pornography," exhibited "because the gallery needs the money."

Support for British photography was empowered by the appointment of Barry Lane as the first photography officer of the Arts Council in 1973 who increased access to financial support for photographic initiatives, and The Photographers' Gallery was followed shortly afterwards by the creation in 1972 of Half Moon Gallery (later Camerawork,) in London, Impressions Gallery in York (also 1972) and the Ffotogallery in Cardiff in 1978, by which date The Photographers' Gallery was attracting 20,000 visitors a month and was staffed by six including Australian Graham Howe, with Dorothy Bohm an early supporter whose husband was a trustee. Curator India Dhargalkar started her career at the Photographers' Gallery, and Francis Hodgson, who went on in 1994 to run Zwemmer Fine Photographs, worked in the Gallery's Print Room when in 1980 the gallery expanded to occupy No. 5 Great Newport Street and the freehold was purchased,

During Davies' period of tenure the Gallery held some 150 major exhibitions, as well as countless smaller shows. Photographs of Walker Evans, W. Eugene Smith, Florence Henri, William Klein, Imogen Cunningham, Helen Levitt, and hundreds more were among the offerings. Thematic exhibitions included Concerned Photographers 1 (1971), The Press Show (1973), European Colour (1978), and Modern British Photography (1981). The Gallery hosted the first British exhibitions by Irving Penn, J. H. Lartigue, André Kertesz, William Klein, Bert Hardy and George Rodger, and David Goldblatt's conscience-provoking images of apartheid in South Africa were presented by Davies in 1974, in his earliest solo show. Many of the exhibitions travelled throughout England under the auspices of the Arts Council of Great Britain. From 1981–1982 Professor Margaret Harker presented a lecture series at the Gallery on developments in photography in Britain.

Current director of The Photographers' Gallery, Brett Rogers, notes:

Death Davies died in Hereford, on 18 April 2020, four days after her 87th birthday, and in the year before the 50th anniversary of The Photographers' Gallery.

Awards and recognition 1982 Royal Photographic Society Progress Medal and Honorary Fellowship 1988 Appointed Officer of the Order of the British Empire (OBE) in the 1988 Birthday Honours

Publications