Shin Sang-Ho

Shin Sang-ho (; born 1947) is a South Korean ceramicist. His works can be found in museums around the world especially the Shin Sang-ho Art Museum. He is the former Dean, College of Fine Arts at Hongik University in Seoul, and former Director of the Clayarch Gimhae Museum.

Career Shin Sang-ho was born in an area historically known as Yangju, and now known as Banghak-dong, Dobong-gu, Seoul, South Korea. He became interested in ceramics when he was attending classes at Hongik University's Department of Crafts. Rather than going home during a holiday, he went to a pottery in Icheon.

At that time, Icheon had no electricity or natural gas. A manually fed wood-fired kiln was the only way to fire ceramics. Further, without any modern equipment to throw clay or prepare it, Shin's initial foundation in ceramics used traditional, non-industrial techniques.

Starting in 1965 he began submitting his works to both the Korean Commerce and Industry Art Exhibition and Korean Industrial Artists Association Exhibition. He was awarded a bronze medal in 1968.

1973 solo exhibitions in Japan including Tokyo, Osaka, Sendai, Yamagata, and Mitsukoshi Department Store where he received an award from the Culture and Information Commissioner.

In 1976 Shin settled near the city of Yangju. He continues to live there, and has built a home, guest house, studio and museum.

In 1978 he received the Chairman's award at Korea's National Folk Art Competition.

In 1979 Shin was part of a government team that traveled internationally to learn about ceramic production and bring the technology back to South Korea. This position eventually led to him becoming Dean of the College of Fine Arts.

In 1981, South Korean President Chun Doo-hwan visited the US to meet the president Ronald Reagan for a summit meeting. He brought a moon jar vase made by Shin who was described as being "a leading Korean ceramist".

Also in 1981, South Korea was trying to counter the influence North Korea established during the 1970s in Africa. South Korea's ambassador to Zaire, Lee Jong-eop, noticed that under the presidency of Mobutu Sese Seko, art and culture was given significant attention as a part of Zairianisation. Lee came up with the idea of sending an artist from South Korea to meet Mobutu; Shin Sang-ho was selected and subsequently Mobuto with a 60 cm tall, celadon, openwork vase as a gift.

The "Dream" series (1995) was one of his first exhibits to gain international recognition. This series features traditional Asian vessel shapes and buncheong glazes decorated with abstract patterns reminiscent of Asian calligraphy or ink wash paintings.

In 2002, “The Dream of Africa” series, that depicts animals using bold colors and patterns, was inspired by his trips to Africa and passion for African indigenous art.

In 2023, Shin's "Tree of Life" series and "Book of Revelation" series, that continue his interest in two dimensional ceramics were scheduled for their first public display in London.

Clayarch Gimhae Museum Clayarch Gimhae Museum with 5,000 fired painting tiles by Shin Sang-ho on exterior wallsThe name of the Clayarch Gimhae Museum (클레이아크김해미술관) comes from the two words clay and architecture. It opened on March 24, 2006 with Shin Sang-ho serving as Artistic Director. I The exterior of the building is covered in approximately 5,000 fired painting tiles by Shin Sang-ho. Each tile is 48 cm square and were handcrafted at Bugok pottery. The tiles are not permanently fixed to the building. Instead, they are supported on an aluminium frame and can be rearranged to change the appearance of the building.

Style Joseon Period buncheong bowl similar to reproductions by Shin for the Japanese market. Shin Sang-ho's style has evolved over his long career. This, may in part be owing to his philosophy of not recreating anything he has already made. When he was working in Icheon, his earliest works were similar to traditional inlayed celadon Goryeo ware called sanggam. As his skill level increased, he began creating more intricate celadon openwork and at least a few double-openwork pieces.

Shin began producing a large amount of buncheong wares similar to wares produced in the Joeson Period. These works are characterized by simple shapes and earthy colors. This style shift was likely in response to Japanese demand for traditional Japanese tea ware they call mishima.

Around this period he also began producing a style of pottery that was mostly similar to Joeson white porcelain. The moon jar vase presented to US president Ronald Reagan in 1981 was made in this style. This may not have been his first works in pure white porcelain. His more difficult singe and double-openwork pieces featured sanggam style inlays appear to have been made after returning to South Korea and fired in the gas kiln he brought back from Japan.

Over his career, Shin has made several styles of moon jars: blue and white moon jars; modern moon jars; plain celadon moon jars; sanggam moon jars; and double-openwork celadon moon jars. One critic wrote he 'epitomized the uniquely Korean aesthetic sensibilities, with free-flowing and generous forms in order to instill a contemporary touch.' Shin's departure from Korean sensibilities to becoming a ‘problematic figure’ in the Korean ceramics world has been traced to 1984. That was the year he met 'modern' ceramists when he began teaching at the University of Connecticut. He has also been deemed a heretic,

Signature When working in celadon, Shin typically signed his works by first engraving his stylized signature in thin clear lines and curves. The engraved area was then filled in with a darker clay before firing. When working in buncheong, Shin typically signed his works with a wider deep engraving that was left unfilled. Many buncheong works are signed near the foot instead of the bottom.

Selected collections

Shin's work is in the permanent collections of:

The National Museum of Contemporary Art (South Korea) Museum of Korea University in Seoul (South Korea) Museum of Hong-Ik University in Seoul (South Korea) Ho-Am Art Museum in Yong-in (South Korea) Everson Museum in Syracuse (United States) Victoria and Albert Museum in London (United Kingdom) The British Museum in London (United Kingdom) Royal Ontario Museum in Ontario (Canada) Royal Museum of Mariemont in Brussels (Belgium) Cleveland Museum of Art in Cleveland (United States) Seattle Art Museum (United States) Sèvres - Cité de la céramique (national ceramics museum in Sèvres, France) Royal Collection Trust (Collection of Queen Elizabeth II, UK) LongHouse Reserve, East Hampton, New York (United States) Jordan Schnitzer Museum of Art in Eugene, Oregon (United States)