Sascha Anderson

Alexander "Sascha" Anderson (born 24 August 1953) is a German writer and artist who was an influential figure in the alternative scene in pre-unification East Berlin in the 1980s. Anderson was nicknamed "the culture minister" due to his role in organising cultural events and promoting young artists. In 1991, it was revealed that he had been an informal collaborator for the East German Stasi since 1975.

Anderson was born in Weimar in 1953 to a theatre director/actor father and architect mother. As an adult, he moved to Dresden where he trained as a typesetter and used his skills to print and disseminate political leaflets and poetry, for which he was imprisoned twice, in 1970 and 1972. Anderson's first reports to the Stasi came after his prison sentences. Anderson's code name was Fritz Müller

Move to Berlin In the 1960s Prenzlauer Berg had become a home to East German artists, intellectuals and the gay community; in the 1970s and 80s, the district was known as a "legendary Bohemia" which attracted artists like Cornelia Schleime and poets Adolf Endler and Bert Papenfuß-Gorek.

In 1976 Wolf Biermann, a prominent singer-songwriter in the scene, had his citizenship revoked while on a tour of West Germany; another member, philosopher Rudolf Bahro, was arrested and imprisoned in 1977 after he admitted having written The Alternative, a critique of East German socialism. These events triggered a wave of emigration in the counter-culture scene, and left what the ceramicist Wilfriede Maaß described as a "deep void". He arranged for the screening of films and publication of books and magazines, and found spaces for artists to work, perform and exhibit. For some time, he lived with Ekkehard and Wilfriede Maaß and their apartment and workshop became a meeting place for artists and bohemians.

In 1986, Anderson emigrated to West Germany, but continued organise cultural events in the East, and to report to the Stasi. While in West Berlin, he worked as a private secretary for A. R. Penck. Six months after he moved to the West, the Stasi opened a file on Anderson and may have been under surveillance even earlier.

In 1989, protests in East Germany culminated in the fall of the Berlin Wall. In a documentary in 2009, Anderson said, "It was incredibly exciting...it never crossed my mind that I was with the Stasi. I was there very quickly, standing on top of the wall. It was a beautiful feeling and I wanted to be part of it. I couldn’t stand by and watch it from afar." The announcement caused immediate outcry amongst Anderson's friends and supporters; when asked by Schleime and Endler, he had repeatedly denied working as a spy.

The information provided to the Stasi by Anderson included "accurate and detailed psychograms of all artist friends" "No critical word, no rebellious eye, no precarious love had escaped" from the reports.

In interviews, Anderson has given a number of reasons for becoming an informant. In 2009, speaking in a documentary he answered:

How did you decide to be a spy?

In that situation someone comes and wants something from you and if you’re egotistical and altruistic enough then you say “Okay, let’s do it. I’ll do what I can and you’ll do what you can”. That’s fine. I’m not the sort of person who makes decisions based on an idea, so if the Devil looks good, I might say to him: “How can I help you, dear Devil?”

I sensed they wanted something from me. Someone is taking you seriously and listening to you. So I offered myself up. Every gap in the conversation was a chance for me to say: “I am the right man for you”

Were you a good spy?

[laughs]In the place that I was, I was the top informer. I had the feeling that I wasn’t just an ordinary spy. Of course, I told them everything.

He has commented that he wanted to be recruited as a "top spy" by the KGB and was surprised that he was not approached by them, and has described his relationship with Stasi officers as a father-son one. In another interview, he said "To me it's all the same...To me it meant nothing ... I had no moral problems. In 2019, he told another interviewer his motive was antifascism.

Before he was revealed as an informant, Anderson had received a number of prizes for his literary works including a residency at the Villa Massimo. Afterwards, he was ostracised by the literary community, and was described as "for a time... one of the most reviled men in Germany." When he took up the year-long Villa Massimo residency in 1993, other recipients refused to stay in the accommodation with him, and he ended up moving out of the villa for his stay in Rome. When Annekatrin Hendel's documentary Anderson – Anatomie des Verrats [Anderson – Anatomy of Betrayal] was released in 2014, there were protests at screenings.

In 1995 he faced charges relating to his work as an informant. He was acquitted, but received a fine. Since the dissolution of the Stasi in 1990, the Stasi Records Agency has worked to reassemble and organise the records held by the secret police and citizens have the right to request to see their own records. These documents have also been used to identify Stasi agents and informants. In 1999, Anderson's informant file was published

He has faced criticism for refusing to apologise or admit guilt for his actions; several critics have remarked that his published works seem to excuse or gloss over his collaboration. The literary scholar Peter Boethig named Anderson as one of the six most active informers of the literary salons held at the Maaß apartment.

Since the mid 1990s, he has lived in Frankfurt with the writer and artist Alissa Walser. where he has worked as a freelance typesetter and organised events for an investment bank.

Writing Anderson has published a number of books of poetry and an autobiographical novel. He is considered one of the most important poets of the German Democratic Republic, but many of his works have not been reprinted due to the controversy surrounding him.

His novel, published in 2002, was largely unsuccessful despite being launched in a series of well-attended promotional events. Many reviews were "dismissive and openly sarcastic" of the book.

He has since written under a pseudonym at the request of publishers, as they did not wish to be associated with his name.

A review of works re-evaluating GDR culture said that Anderson "incarnates everything abject about the East and its literary culture" and that Anderson has become "the projection of all of the small acts of betrayal and cowardice and accommodation that were required in the east".

Works