Sarah Pickering

Sarah Pickering (born 1972) is a British visual artist working with photography and related media including 3D scanning and digital rendering, performance, appropriated objects and print. Her artist statement says she is interested in "fakes, tests, hierarchy, sci-fi, explosions, photography and gunfire." She is based in London.

Pickering's book Explosions, Fires and Public Order was published by Aperture in 2010. She has had solo exhibitions at Meessen De Clercq, Brussels (2009), Ffotogallery, Wales (2009), Museum of Contemporary Photography, Chicago (MoCP, 2010), and Durham Art Gallery (2013); and was included in Manifesta 11 in Zurich (2016). Her work is held in the collections of the Victoria and Albert Museum, London; MoCP, Chicago, IL; and North Carolina Museum of Art, Raleigh, NC.

She is a part-time Associate Professor in fine art media at the Slade School of Fine Art, University College London.

Life and work Pickering was born and raised in Durham, England, and attended Belmont Comprehensive School and Durham Sixth Form Centre. After a foundation course in art and design at Newcastle College (1991–1992), she was awarded a BA (Hons.) in photographic studies at the University of Derby (1992–1995), and a MA in photography at the Royal College of Art (2003–2005).

Her artist statement says she is interested in "fakes, tests, hierarchy, sci-fi, explosions, photography and gunfire."

Publications Books by Pickering Sarah Pickering - Explosions, Fires and Public Order. Aperture, 2010. .

Publications with contributions by Pickering Vitamin Ph, A survey of Contemporary Photography. Phaidon, 2006. . System Error: War is a Force that Gives us Meaning. Italy: Silvana, 2007. . Edited by L. Fusi and N. Mohaiemen. How We Are Photographing Britain from the 1840s to the present. London: Tate, 2007. . Edited by Val Williams and Susan Bright. In our World, New Photography in Britain. 2008. Milan: Skira. . Edited by Filippo Maggia. Pickering's contribution is on pages 142–151. Foam Album 08. Amsterdam: Foam Fotografiemuseum Amsterdam, 2008. . New Light: Jerwood Photography Awards 2003–08. Edinburgh: Portfolio Magazine, 2009. . With a foreword by Roanne Dods, an essay by Martin Barnes, and an afterword by Gloria Chalmers. Theatres of the Real. Antwerp: Fotomuseum Antwerp; Brighton: Photoworks, 2009. . Realtà Manipolate/Manipulating Reality. Alias, 2009. . C International Photo Magazine 09. London: Ivorypress, 2009. . Bruit De Fond/Background Noise. Je Suis une Bande de Jeunes, 2010. . Afterwards: Contemporary Photography Confronting the Past. London: Thames & Hudson, 2011. . Edited by Nathalie Herschdorfer. Public Relations. SAFLE Commission, 2012. . Hijacked III: Australia / United Kingdom. Cottesloe, WA: Big City; Heidelberg: Kehrer, 2012. . Exhibition catalogue. The Photographer's Playbook: 307 Assignments and Ideas. New York: Aperture, 2014. . Edited by Gregory Halpern and Jason Fulford. Staging Disorder. London: Black Dog Publishing, 2015. . Edited by Christopher Stewart and Esther Teichmann. Revelations. London: Mack, 2015. Edited by Ben Burbridge. .

Awards 2005: Worshipful Company of Painter-Stainers Photography Prize, Royal College of Art. 2005: The Photographers' Gallery Graduate Award, London. 2005: Jerwood Photography Award, for Public Order. Other winners were Daniel Gustav Cramer, Nina Mangalanayagam, Oliver Parker, and Luke Stephenson. 2008: Peter S. Reed Award, Peter S. Reed Foundation, USA. 2015: Refocus: the Castlegate mima Photography Prize, Middlesbrough Institute of Modern Art (mima) and Stockton-on-Tees Borough Council. A commission to produce "Match, 2015".

Exhibitions Solo exhibitions Fire Scene, Daniel Cooney Fine Art, New York City, 2008. Explosion, Meessen De Clercq, Brussels, 2009.

Group exhibitions Part of East International festival, Norwich, UK, 2005. Selected by Gustav Metzger. How We Are: Photographing Britain from the 1840s to the Present, Tate Britain, London, 2007. Curated by Val Williams and Susan Bright. 'Theatres of the Real' – Contemporary British Post-Documentary Photography, Fotomuseum Antwerp, Antwerp, Belgium, 2009. Curated by David Green and Joanna Lowry. Manipulating Reality: How Images Redefine the World, Centro di Cultura Contemporanea Strozzina, Fondazione Palazzo Strozzi, Palazzo Strozzi, Florence, Italy, 2009/10. Signs of a Struggle: Photography in the Wake of Postmodernism, Victoria and Albert Museum, London, 2011. Curated by Marta Weiss. An Orchestrated Vision: The Theater of Contemporary Photography, Saint Louis Art Museum, St. Louis, MO, 2012. Living in the Ruins of the Twentieth Century, UTS Gallery, University of Technology, Sydney, Australia, 2013. Revelations: Experiments in Photography, Media Space, Science Museum, London, 2015; National Media Museum, Bradford, 2015/16. Co-curated by Greg Hobson and Ben Burbridge. Professions Performing in Art, Manifesta 11, Zurich, 2016. Curated by Christian Jankowski and Francesca Gavin. Museum of Contemporary Photography, Chicago, IL: 2 prints North Carolina Museum of Art, Raleigh, NC: 3 prints LACMA, Los Angeles, USA: 1print Brooklyn Museum: 1 print