Sándor Móga

Sándor Móga (March 1, 1927 – January 30, 2022) was a Hungarian sculptor, painter, and goldsmith.

Life

Sándor Móga was born on March 1, 1927, in Budapest's 8th district, as the youngest child of a middle-class family with three children. His father was Sándor Móga, a postal inspector, and his mother was Piroska Spannberger; his sisters were Emma Móga and Piroska Móga. He lost both of his parents early, by the age of 20.

He completed his primary education in Budapest, his secondary education in Košice, and later again in Budapest. Formative childhood experiences included summers regularly spent with his family in Fadd, from which his organic and nature-based inspirations also originate. Art engaged him from an early age; during his secondary-school years he modeled in the Rákospalota-based "Nagybányai Nagy Zoltán Artists' Circle."

In 1947 he began his studies at the College of Applied Arts (at present: Moholy-Nagy University of Art and Design) as a student of goldsmith Lajos Pál, sculptor Miklós Borsos, and painter Pál Miháltz. It was there that he formed a close friendship with sculptor Imre Szebényi. As a student, he was a member of the early MEFESZ (the Hungarian Association of University and College Students). On April 14, 1948, while still at the College, he was among the winners of a competition held by the National Hungarian Society of Applied Arts with his work (a flower-holder vase).

Although he completed his studies with distinction, he (together with several fellow students) became a victim of the paranoid atmosphere that developed at the College from 1948 around the person of their fellow student, namely the wife of Mr. Mátyás Rákosi: after two years he found himself outside the institution. Thereafter, alongside earning a living, he did not break off his connection with art: he attended the artists' circle led by sculptor Sándor Szandai, carving stone and modeling. who herself was first a textile artist and later a goldsmith-trained applied artist.

Artistic career His artistic activity was not confined to jewelry goldsmithing; his primary focus was on the creation of art objects in metal. His attraction to sculpture was combined with his interest in goldsmithing. He produced outdoor sculptures carved from stone, small sculptural cast works, and sculptures created from metal using goldsmith techniques. His creative work culminated in the refinement of stylistic features—organic in nature and born of abstraction—most evident in small-series interior design objects (decorative trays, sculptures, caskets, small sculptural forms). These characteristics make his artworks distinctive even in the eyes of his contemporaries. In terms of materials, bronze, copper, and silver predominated in his early period, later supplemented by the use of vitreous enamel. The works presented at his first exhibition included sculptures made of bronze, lead, and stone.

After 1965 he worked full-time as a goldsmith, marking the beginning of a particularly productive period of his career. Subsequently, he was given opportunities to appear in several further exhibitions.

His principal domestic commissioner was the Képcsarnok Company (the National Art Gallery State Enterprise); in addition, he sold numerous decorative objects abroad (e.g. to the GDR and Venezuela). His goldsmith works intended for sale are identified by the unmistakable "Móga" artist's proof mark (a hammered mark with a horizontal underline), in two versions (a smaller and a larger signature).

In exceptional cases, he also undertook the restoration of metal artworks (for example, in 1995 the decorative chandelier of the church in Egervár, a work created in 1916 by István Németh).

In his own words:

Művészet Art Journal, 1970:

Thorma János Museum, 1967:

Képes Újság, 1970:

Prof. Ákos Koczogh, 1977:

Noémi Ferenczy Award, 2016:

Exhibitions

Solo Exhibitions 1970, Budapest – László Paál Hall, Képcsarnok Company (September 1970 – 63 works exhibited) 1983, Budapest – László Paál Hall, Képcsarnok Company (September 1–15, 1983) 1962, Budapest – 9th Hungarian Fine Arts Exhibition, Hall of Art (April 29 – June 30, 1962) 1967–1968, Kiskunhalas – Thorma János Museum (as part of an exhibition series) Szeged