Roland Rugero

Roland Rugero (born February 22, 1986) is a Burundian author, journalist, and director. His second work Baho! is the second Burundian novel to ever be translated to English. His work on promoting Burundian culture has led him to be recognized internationally in such programs as the University of Iowa's International Writing Program.

Early life Rugero was born near Bujumbura, Burundi as the eldest of six children. At the age of seven, Rugero and his family fled to Rwanda in September 1993, following the assassination of President Melchior Ndadaye and the resulting Tutsi genocide.

Career Following his education, Rugero began his career as a journalist. From early on, he worked against his own criticisms of Burundian journalism, claiming that "Burundian journalism today suffers doubly: first, as journalism does throughout the world...from predatory powers, and second, for not properly demonstrating and giving full justice to the formidable space of expression taking place in Burundi." Shortly after starting this work, he began writing stories and publishing his first novel Les Onriques in 2008. Rather than explicitly choosing to broaden his writing beyond journalism, Rugero claims that he merely realized his ability to tell stories.

Writing Politics and the sociocultural state of Burundi has been an influence and pivotal subject to Rugero and his writings since the beginning of his career. In addition to the political impacts on Burundian journalism, he also puts emphasis in the political nature of fiction writing. "Fiction that recounts the human, in all its forms," he says, "is always political." Rather than citing literary influences, Rugero finds much influence in language. He highlights the importance of language in his novel Baho! with the strong use and emphasis on his native language Kirundi.

By focusing on language in translation, Rugero uses his works to debate past colonialism and its lasting effects on Burundian identity. Because of French colonialism, a bulk of the literature in Burundi is written in French and largely imported. Rugero describes the major effect of this to be an overwhelming sense of elitism that many Burundian associate with literature. In addition to his Kirundi writing programs, his focus on language and Kirundi preservation works towards bringing literature to a more inviting level in Burundian society. As a result, he hopes the self-discovery attributed to experiencing literature will help Burundi come to terms with its past and move forward with a more defined united cultural identity.