Pieter Xavery

Pieter Xavery (name variations: Pieter Saverij, Pieter Savoriex, Pieter Xaveri, Pieter Xaverii) (1647 in Antwerp – after 1674 in Antwerp) was a Flemish Baroque sculptor whose principal known works were made during his residence in the Dutch Republic.

Life The details about his early life and training are scarce. In 1670 he went to Leiden to study mathematics at the university. It is not clear whether he was brought to Leiden by his compatriot Rombout Verhulst or was simply his successor. In Leiden he married Gertrude Bruysscher in 1670. He remained in the city where he continued his career as a sculptor.

Xavery is known to have been active in Leiden until 1674, after which he is said to have returned to Antwerp. There is no record of any works by his hand following his return to Antwerp.

It is believed that Xavery was related to the sculptor Jan Baptist Xavery.

Work His earliest known work is the Flagellation of Christ, a terracotta relief dated 1667, one of the few surviving religious works by his hand. His work tends towards genre and caricature. Many of his works are in terracotta, while a few are in ivory and bronze. This is well demonstrated by the Two madmen in the collection of the Rijksmuseum.

Xavery also executed a number of monumental pieces during his residence in Leiden. Among these were stone decorations for the pediment and gables of the Gravensteen in Leiden. He also produced in Leiden a pediment sculpture for the house "In den vergulden Turk" ("In the Gilded Turk") representing a Turk, Neptune, Mercury and Angora goat (all symbols related to the textile trade for which Leiden was famous) and a collection of twenty-three judges and lawyers for the Vierschaar. All remain in situ. He also made a series of busts of Roman emperors of which the plasters in Leiden are likely copies.