Peter Gizzi

Peter Gizzi (born 1959 in Alma, Michigan) is an American poet, essayist, editor and teacher. He attended New York University, Brown University and the State University of New York at Buffalo.

Life

Gizzi was born in Alma, Michigan to an Italian American family. He spent most of his childhood and adolescence in Pittsfield, Massachusetts. Gizzi has said that he "internalized the hierarchy of music over words as a kid at Catholic mass, where the liturgy was often in Latin". After graduating from high school, the poet delayed going to college and took a job in a factory winding resin tubes and in a residential treatment center working with emotionally disturbed adolescents. Working overnight at the treatment center, Gizzi read George Oppen's Collected Poems, along with H.D., Wallace Stevens, William Carlos Williams, Federico García Lorca, Baudelaire, Rimbaud "and almost anything published by Burning Deck." Living in New York City, in part to keep in touch with the punk scene, he walked by the St. Mark's book store one day and his eye was caught by a reprinted version of BLAST, with its shocking pink and diagonal title. He picked up a copy and read the manifestos. "I was home in that synthesis — Punk and Poetry had merged and I knew at once I wanted to edit my own journal and so I did," he later wrote.

By the late 1980s, he was waiting tables, reading and editing o•blék: a journal of language arts, This was followed by "Artificial Heart", a collection which enhanced Gizzi's reputation as a lyric poet writing as a modern troubadour in a style which is allusive and oblique.

In 2003, "Some Values of Landscape and Weather" was published. The title poem of this collection is "a sustained examination of the relationship between public and private spaces, as well as a complex reflection on war".

The collection "The Outernationale" (2007) investigates language, knowledge and experience but combines this with an implied political stance.

"Threshold Songs" (2011) is a series of poetic elegies which also investigate the role of the lyric poet and show "the voice of the poet contemplating its relation to other voices".

Gizzi's collection, "Archeophonics", continued his investigation of language; the title of the book refers to the excavation of lost sounds analogous to the process of archeology. Critic James O'Connor maintains that in "Fierce Elegy "we find the poet writing at the height of his powers." ). Gizzi has also held residencies at the MacDowell Colony, Yaddo, The Foundation of French Literature at Royaumont, Un Bureau Sur L’Atlantique, and the Centre International de Poesie Marseille. He has received fellowships from The Fund For Poetry, The Rex Foundation, The Howard Foundation, The Foundation for Contemporary Arts Grants to Artists award (1998), and The John Simon Guggenheim Memorial Foundation. Gizzi has twice held the position of Poet-in-Residence in the English Faculty of the University of Cambridge. In 2016 Archeophonics was a finalist for the National Book Award. In 2024, he won the Poetry Award for Fierce Elegy at the 24th annual Massachusetts Book Awards. The collection won the 2024 T. S. Eliot Prize.