Paratene Matchitt

Paratene Temokopuorongo Matchitt (10 August 1933 – 19 July 2021) was a New Zealand sculptor and painter, known for combining traditional Māori art forms with those of modernist art. His work also references events from New Zealand history, particularly the Māori prophetic movements of the nineteenth century and most specifically Te Kooti.

Early life Matchitt was born in Tokomaru Bay in 1933 of Te Whānau-ā-Apanui, Te Whakatōhea and Ngāti Porou descent. He was educated at St Peter’s Maori Boys' College.

Artist

Matchitt's art formation began with helping his father and grandfather on his workshop at Edgecumbe. He went to the Auckland Teachers' Training College in 1955 and 1956. In 1957, he began his career as arts and crafts adviser for the South Auckland Education Board. He was one of the artists who pursued Māori Arts and Crafts courses at Ruatoria with Pine Taiapa. At the time of the Te Pakanga commission (one of his greatest bodies of work) in 1974, Matchitt was an Arts Advisory Officer in South Auckland. thumb Several of Matchitt's works use symbols taken from Te Kooti's flag Te Wepu (The Whip), a large red pennant created by nuns at a Catholic mission which had various symbols on it: a crescent moon, a cross, a mountain, a heart pierced by an arrow, and a six-pointed star. Matchitt used these symbols in several works including the City to Sea Bridge, Aotea Centre, 'Te Wepu Assemblage' (1986), 'Te Wepu' (1986), 'Huakina' (1986) and "Heritage Fountain" ("Nga Puna Wai Whakapapa"), a fountain and metal sculpture in front of Napier Visitor Information Centre.

Matchitt's 'Ringatu III' in Alison Park on Waiheke Island had to be restored at the cost of $8,000 after being hit by taggers.

Prison & legacy Although Matchitt was a leading figure in contemporary art in New Zealand since the 1960s his work is currently not celebrated due to his criminal conviction. In 2006 the High Court at Napier threw out charges against Matchitt of drugging and date-raping a 29-year-old woman, citing no evidence that the woman had either been drugged or raped.

Matchitt's biography influences curators and writers in their consideration of promoting and including his work, for example a survey exhibition was put aside after his conviction.