Oliver Lee Jackson

Oliver Lee Jackson (born 1935) is an American painter, sculptor, draftsman, printmaker, and educator. His art studio is in Oakland, California. He was a professor at the California State University, Sacramento from 1971 until 2002, and developed a curriculum for the Pan African Studies program at the school. After graduating from Vashon High School, Jackson attended Illinois Wesleyan University (B.F.A. 1958). He attended the University of Iowa (M.F.A. 1963).

Teaching In the 1960s, he taught art classes at St. Louis local universities and colleges and remained active in this local community. He was director of program Uhuru at Pruitt and Igoe public housing in St. Louis in 1967 and 1968, a program to bring the low-income African American community a constructive means of developing dialogue through arts programs.

He taught at St. Louis Community College (1964 to 1967); Southern Illinois University (1967 to 1969); Washington University in St. Louis (1967 to 1969); and Oberlin College (1969 to 1970). There are a mixture of cultural references and iconography in his paintings including references to historical African art and European Modernism. Photographs of the Sharpeville massacre in March 1960 in South Africa became an inspiration for Jackson in the development of his figurative gestural forms, and resulted in his Sharpeville Series (1968–1977). the Metropolitan Museum of Art; the Studio Museum in Harlem; the National Gallery of Art; San Francisco Museum of Modern Art; San Jose Museum of Art; the Seattle Art Museum; and many other public collections. 2002 — Duo, Sert Gallery, Carpenter Center for the Arts, Harvard University, Cambridge, Massachusetts 2017 – Oliver Lee Jackson: Composed, San Jose Institute of Contemporary Art, San Jose, California 2019 – Oliver Lee Jackson: Recent Paintings, National Gallery of Art, Washington, D.C. 2021–2022 – Oliver Lee Jackson–Any Eyes, di Rosa Center for Contemporary Art, Napa, California 2021–2022 – Oliver Lee Jackson, Saint Louis Art Museum, St. Louis, Missouri 1983 — 1983 Biennial Exhibition, Whitney Museum of American Art, New York, New York 1984 – An International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York, New York 1987 – The Ethnic Idea, curated by Andrée Maréchal-Workman, including Lauren Adams, Robert Colescott, Dewey Crumpler, Mildred Howard, Oliver Lee Jackson, Mary Lovelace O'Neal, Joe Sam, Elisabeth Zeilon, Tom Holland, Celeste Conner, Jean LaMarr, Sylvia Lark, Leta Ramos, Judy Foosaner, Joseph Goldyne, Belinda Chlouber, Carlos Villa. Berkeley Art Center, Berkeley, California 1989 — The Appropriate Object, Albright-Knox Art Gallery, Buffalo, New York, with travel to Detroit Institute of Arts, Detroit, Michigan; San Jose Museum of Art, San Jose, California; and Speed Art Museum, Louisville, Kentucky 1994 — The Exchange Show: San Francisco/Rio de Janeiro, Yerba Buena Center for the Arts, San Francisco, California, and Museu de Arte Moderna, Rio de Janeiro, Brazil 1994 – Continuing the Legacy of the Rockefeller Collection: Recent Acquisitions of 20th Century American Art, including Joan Brown, Wayne Thiebaud, Manuel Neri, Robert Arneson, Oliver Lee Jackson, Frank Lobdell. De Young Museum, San Francisco, California 2016 — Dimensions of Black, Museum of Contemporary Art San Diego, La Jolla, California, and Manetti Shrem Museum, University of California, Davis, California 2020 — Expanding Abstraction: Pushing the Boundaries of Painting in the Americas, including Alice Baber, Ibore Camargo, Fernando de Szyszlo, Helen Frankenthaler, Manuel Hernández Gómez, Grace Hartigan, Hans Hofmann, Dorothy Hood, Norman Lewis, Morris Louis, Kenneth Noland, Miguel Ocampo, Jules Olitski, Beverly Pepper, and Alma Thomas. Blanton Museum of Art, University of Texas, Austin, Texas