Moira Bertram

Moira Bertram (1913–1993) was an Australian comic book artist and illustrator.

Life and career Moira Bertram was born in Sydney in 1913 , the daughter of a Sydney wool shipper. during which time she also began writing and drawing comic books for her own amusement.

"When I was at school…I made up my mind to draw and write them [comics]. I was always very successful."

Still in her teens, Bertram's first published work was the fantasy-styled adventure strip, Jo, which debuted in Sydney's Daily Mirror newspaper on 8 January 1945.

“[I have been drawing/writing comics] since I was fourteen – I told the publishers I was sixteen for fear they wouldn't publish them." The strip quickly established Bertram's reputation as a vivid and imaginative cartoonist, her work characterised by her granite-jawed heroes and voluptuous, glamorous women.

According to Kevin Patrick, Bertram was "Unlike many of her male counterparts of the time," and "from the outset grasped the dynamic storytelling possibilities of the comic book page. Huge panels, inventive compositions and dizzying perspectives dominate her page layouts (many of which were prepared by her sister, Kathleen), while her use of over-the-top sound effects anticipates the comic book paintings of 1960s 'Pop' artists like Roy Lichtenstein."

After finishing work on the Daily Mirror, she signed a three-month contract with publisher Frank Johnson in June 1945,

In 1949, Moira and her sister Kathleen (who did the lettering) Invincible Press (The Thrilling Adventures of Dan Eagle (c.1954), Army and romance comics, Bring Back My Love (c.1956), Army (c.1956), Campus Snobs (c.1959) and Rivals in Love(c.1959) She ended her comic book career in the late 1950s.

Another of her comic book creations was Flameman, published by K.G. Murray Publishing Company in 1946, which documented the adventures of a super-powered 'genie of the sun'.

John Ryan in the comic book anthology, Panel by Panel describes Bertram's work as "highly stylised and confident; her experiments with perspective include placing large shapes in the foreground to enhance the visual drama of a story, and placing the reader above the action."