Michael Hatt

Edited volumes The Edwardian Sense: Art, Design, and Performance in Britain, 1901–1910. Yale Center for British Art, 2010. (Edited with Morna O'Neill)

Journal articles and book chapters "Thoughts and Things: Sculpture and the Victorian Nude" in Alison Smith (Ed.) (2002) Exposed: The Victorian Nude. New York: Watson-Guptill. pp. 36–49. "Uranians and Imperialists", in eds. Timothy Barringer, Douglas Fordham, and Geoffrey Quilley, Art and the British Empire, Manchester University Press, 2007. "Space, Surface, Self: Homosexuality and the Aesthetic Interior", Visual Culture in Britain, Vol. 8, No. 1, Summer 2007, pp. 105–128. "A Great Sight: Henry Scott Tuke and His Models", in eds. Jane Desmarais, Martin Postle, and William Vaughan, Models and Supermodels: The Artist's Model in Britain, Manchester University Press, 2006, pp. 89–104. "Near and Far: Hamo Thornycroft's Mower and the Homoerotics of Labour", Art History, Vol. 26, No. 1, 2003, pp. 26–55.