Margaret Colby Parsons

Margaret Colby Getchell Parsons (1891–1970) was an American journalist in the 1920s. Although a features writer, rather than an investigative reporter, she matched her investigative peers in originality and, like them, also wrote on under-reported "women's issues." In long-form articles like "What is Least on which a Working Woman Can Live?" she focused on practical issues, such as women's poverty-level wages. But there were also numerous profiles of brave female role models, including Clara Barton, Joan of Arc and Marie, Romania's last queen, who "fled the fairy tale" to minister to wounded soldiers during World War I.

In a prolific career, Getchell also wrote for children, and her books, plays and "playlets" stand out for their emphasis on the independence and imagination of her audience, and her dismay that more dramatists weren't adapting plays with children in mind. She argued that children were "natural playwrights," and that making them think would reduce the need for family discipline.

In 1929, Getchell, by then known as Parsons, became a full-time writer and book critic for the Worcester-based Sunday Telegram and Evening Gazette where she remained until 1960. and the local park in other parts of the country. By the late teens, she was publishing in newspapers nationwide, and her sometimes eccentric range ran the gamut: from film scores to, more adventurously, the burgeoning aviation industry and arctic exploration. But she also wrote on lighter topics, profiling a barber to the stars in a piece called "Famous Men I Have Shaved," as well as under-reported stories like "Pilots of Industry at Ninety Guide Giant Business." Her takes were frequently inventive, and sometimes also quite compassionate, as evidenced by pieces like "Lip-Reading Folk Get Small Enjoyment from Movies."

Children's Books and Plays Early into her career, Getchell was already balancing her journalism for adults with books, stories and plays for children. In Writer: A Monthly Magazine for Literary Workers, she describes already having completed, and sold, a set of plays that could be performed at home as entertainment at holiday parties, with sets and costumes so simple they allowed for improvisation only a year or so out of college. Her second book Proposal Number Seven features two comedic acts, and a makeshift diagram showing children how to organize their own sets. The third was more commercial in intent, akin to Getchell's holiday and rainy day plays still to come, only Spruce Cone and Bunchberry, as it says in subtitle, is A Campfire Girls Play, with enough parts for a dozen girls, plus casting tips. She died in 1970. Their mother Edith Loring Getchell (née Pierce) was a former student of Thomas Eakins, and a prominent artist with an international career whose work has been collected by the Smithsonian American Art Museum, the National Gallery of Art in Washington, D.C. and other major institutions. In 1921, she married Eugene Olian Parsons, garden editor for the Sunday Telegram and Evening Gazette. Their only child was Carol E. Parsons Rader (1932–2019).