Louis Eilshemius

Louis Michel Eilshemius (February 4, 1864 – December 29, 1941) was an American painter, primarily of landscapes and nudes. He also wrote musical compositions, verse, novels, short stories, and published periodicals.

Biography Eilshemius was the son of a Dutch father and a Swiss mother. His wealthy family lived near Newark, New Jersey. He was educated in Europe, after which he spent two years at Cornell University before beginning his art studies at the Art Students League of New York. He also studied privately with the American landscape painter Robert Crannell Minor (1839-1904). He subsequently studied under Bouguereau at the Académie Julian in Paris and traveled widely in Europe, Africa and the South Seas, returning to the family brownstone in New York City where he was to live for the rest of his life.

His early landscapes, which show the influence of the Barbizon School and of Corot, George Inness and Albert Pinkham Ryder gained him little recognition from critics or the public. Around 1910, the element of fantasy in his work became more pronounced and his technique became coarser; henceforth, he often painted on cardboard instead of canvas. As his works became more idiosyncratic, so did his behavior, and he developed an unsettling habit of visiting galleries and loudly condemning the works on display. (he reverted to the original spelling in 1913). On letterheads and in hyperbolic, self-published flyers he would proclaim his accomplishments: "Educator, Ex-actor, Amateur All-around Doctor, Mesmerist-Prophet and Mystic, Reader of Hands and Faces, Linguist of 5 languages", as well as world-class athlete and marksman, "Spirit-Painter Supreme", and musician whose improvisations rivaled the compositions of Chopin. All of this only reinforced the impression, already suggested by the peculiar imagery in many of his paintings, that he was either mad or a charlatan.

He was not without supporters, however. Eilshemius was championed by Marcel Duchamp, who discovered Eilshemius in 1917 and invited him to exhibit with him in Paris that year. Joseph Stella was an admirer and drew a particularly fine silverpoint portrait of him. His work was generally well received by French viewers and critics; his admirers included Matisse. Duchamp subsequently helped to arrange Eilshemius's first solo exhibition in 1920, at the Société Anonyme in New York City. The hostile critical reception to this exhibition, however, finally drove him to give up painting entirely in 1921, although there is a single known painting dated 1937. The remainder of his life was dedicated to self-promotion, and in 1931 he took to referring to himself as "Mahatma."

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