Leela Chitnis

Early life She was born in a Marathi-speaking Brahmin family, in Dharwad, Karnataka. Her father was an English literature professor. With a B.A. degree, she was one of the first educated film actresses. After graduation she joined Natyamanwantar, a progressive theater group that produced plays in her native Marathi language. The group's works were greatly influenced by Ibsen, Shaw and Stanislavsky. With the theatre group, Leela played the lead role in a series of comedies and tragedies and even founded her own repertory.

Career Chitnis' early stage work included comedy Usna Navra (1934) and with her own film group Udyacha Sansar. She started acting to support her four children. She started as an extra and went on to stunt films.

In Gentleman Daku ("Gentleman Thief") in 1937, Chitnis played a polished crook dressed in male apparel and was publicised in the Times of India as the first graduate society-lady from Maharashtra. By then she had already made her first major mark as an actress on the silver screen. Chitnis worked at Prabhat Pictures, Pune and Ranjit Movietone before going on to be the leading lady in Bombay Talkies.

Specialising in controversial films that challenged accepted societal norms, especially those regarding marriage and the invidious caste system, Bombay Talkies was having limited luck at the box office. But it bounced back with Kangan ("Bangles", 1939), which introduced Chitnis playing the lead role as the adopted daughter of a Hindu priest in love with the son of a local landlord who opposes the relationship and threatens the holy man. Her love, however, stands up to his father's prejudices, an unusual theme for the time, but one that appealed to the public imagination enough to ensure it success at the box office.

With Kangan's success, Leela replaced Bombay Talkies' ravishing leading lady Devika Rani. Leela made a particularly good partner with Devika Rani's leading man Ashok Kumar for a series of box-office hits such as Azad (Free, 1940), Bandhan (Ties, 1940) and Jhoola ("Swing", 1941) that broadly deal with societal issues.. Ashok Kumar was so impressed by her acting abilities that he admitted to having learnt how to speak with his eyes from her. In 1941 Chitnis, at the height of her popularity and glamour, created history of sorts by becoming the first Indian film star to endorse the popular Lux soap brand, a concession then only granted to top Hollywood heroines.

By the mid-1940s her career went downhill as the new leading ladies came in. Leela accepted the reality and in 1948 entered the next, and perhaps most renowned, phase of her career in Shaheed ("Martyr"). Cast as the hero's suffering, ailing mother, she played this role to perfection. For 22 years, Chitnis played the mother of the later leading men including Dilip Kumar, often playing an ailing mother or a mother going through hardships and struggling to bring up her offspring. In fact she created the archetype of the Hindi Film mother, which was continued by later actresses. Leela's maternal histrionics were portrayed in a range of films such as Awaara (The Vagabond, 1951), Ganga Jumna (The Confluence, 1961) and, in 1965, the runaway success Guide, based on the award-winning novel of the same name by R.K. Narayan. She was busy through the 1970s, but cut down her appearances thereafter before taking the final curtain call in Dil Tujhko Diya ("I Give My Heart to You") in 1985. She then emigrated to the United States in the late 1980s to join her children. She died in Danbury, Connecticut at a nursing home, at the age of 94.

Leela also briefly dabbled in movie-making, producing Kisise Na Kehna ("Don't Tell Anybody", 1942) and directing Aaj ki Baat ("The Talk of Today", 1955). She also wrote and directed a stage adaptation of Somerset Maugham's Sacred Flame and published her autobiography, Chanderi Duniyet, in 1981. However, her father adhered to Brahmo Samaj, a religious movement that rejected caste.

At the age of 15 or 16, she married Dr. Gajanan Yeshwant Chitnis, a gentleman of her own community who was somewhat older than her, in a match arranged by their parents in the usual Indian way. Dr. Chitnis was a qualified medical doctor. The couple were quickly had four children, all boys. They supported India's struggle for independence from Britain and once risked arrest by harbouring M.N.Roy, a famous Marxist freedom fighter, in their house. After she divorced her husband, she worked as a school teacher before turning to acting.

She had four sons Manavendra (Meena), Vijaykumar, Ajitkumar and Raj. She lived with her eldest son in Connecticut in United States, until her death. She had three grandchildren then.

Filmography Actress

Shri Satyanarayan (1935) Dhuwandhar (1935) Chhaya (1936) - Chhaya Wahan (1937) - Princess Jayanti Insaaf (1937) Gentleman Daku (1937) Master Man (1938) Raja Gopichand (1938) Jailor (1938) as Kanwal Chhote Sarkar (1938) Sant Tulsidas (1939) - Ratnavali Kangan (1939) - Radha Chhotisi Duniya (1939) Ghar Ki Rani (1940) - Arundhati Bandhan (1940) - Beena Azad (1940) Ardhangi (1940) - Arundhati Kanchan (1941) Jhoola (1941) - Geeta Kisise Na Kehna (1942) Rekha (1943) Manorama (1944) Kiran (1944) Char Aankhen (1944) Shatranj (1946) - Shobharani Dev Kanya (1946) Bhakta Prahlad Ghar Ghar Ki Kahani (1947) Andhon Ki Duniya (1947) - Sushila Shaheed (1948) - Mrs. Dwarkadas Namoona (1949) Aakhri Paigham (1949) Saudamini (1950) Awaara (1951) - Leela Raghunath Saiyan (1951) - Rani Sahiba Sangdil (1952) - Dhaayi Maa Maa (1952) - Bhanu's & Raju's mother Naya Ghar (1953) Hari Darshan (1953) Baadbaan (1954) Aaj Ki Baat (1955) Funtoosh (1956) Basant Bahar (1956) - Gopal's mother Aawaz (1956) - Mrs. Bhatnagar Naya Daur (1957) - Shankar's Mother Sadhna (1958) - Mohan's Mother Post Box 999 (1958) - Mrs. Gangadevi (as Lila Chitnis) Phil Subha Hogi (1958) - Sohni's Mother (uncredited) Dhool Ka Phool (1959) - Gangu Dai Ujala (1959) - Ramu's Mother (as Leela Chitnes) Main Nashe Mein Hoon (1959) - Mrs. Rajni Khanna Kal Hamara Hai (1959) - Hiralal's wife Barkha (1959) - Mrs. Haridas Maa Baap (1960) - Raju's Mother Kanoon (1960) - Kalidash's Wife Bewaqoof (1960) - Mrs. Leela Rai Bahadur Parakh (1960) - Mrs. Nivaran Kohinoor (1960) Kala Bazar (1960) - Raghuvir's Mother Hum Hindustani (1960) - Savitri Nath Ghunghat (1960) - Laxmi's Mother Mehlon Ke Khwab (1960) Apna Haath Jagannath (1960) - Lajwanti Malhotra Dharmputra (1961) - Meena's mother Aas Ka Panchhi (1961) - Mrs. Nihalchand Khanna Ram Lila (1961) Kanch Ki Gudiya (1961) - Raju's Mother Hum Dono (1961) - Anand's Mother Gunga Jumna (1961) - Govindi Char Diwari (1961) - Sunil's mother Batwara (1961) - Suhagan / Suhagi Naag Devata (1962) Man-Mauji (1962) - Bhagwanti Dr. Vidya (1962) Prem Andhala Asta (1962) Asli-Naqli (1962) - Renu's mother Aashiq (1962) - Mrs. Amar Singh Dil Hi To Hai (1963) - Nanny / Yusuf's foster mother Pahu Re Kiti Vaat (1963) Suhagan (1964) - Uma & Vijay Kumar's mother Dosti (1964) - Mrs. Gupta Zindagi (1964) - Beena's mother Shehnai (1964) - Grandmother Punar Milan (1964) - Sonal's mother Pooja Ke Phool (1964) - Mrs. Singh (Balam's Mother) Aap Ki Parchhaiyan (1964) - Mrs. Dinanath Chopra Guide (1965) - Raju's Mother Johar-Mehmood in Goa (1965) - Pandit's Wife Waqt (1965) - Mrs. Mittal Nai Umar Ki Nai Fasal (1965) Mohabbat Isko Kahete Hain (1965) - Leela Faraar (1965) - Mrs. Choudhry Phool Aur Patthar (1966) - Blind Beggar Aurat (1967) - Parvati's Mom Majhli Didi (1967) - Kishan's Mother Gunahon Ka Devta (1967) Dulhan Ek Raat Ki (1967) - Nirmala's mother The Killers (1969) Rambhakta Hunuman (1969) Prince (1969) - Mrs. Shanti Singh Intaquam (1969) - Mrs. Mehra Badi Didi (1969) - Mother Man Ki Aankhen (1970) - Mrs. Dinanath Jeevan Mrityu (1970) - Ashok's Mother Bhai-Bhai (1970) - Radha Mehmaan (1973) - Rajesh's mother Palkon Ki Chhaon Mein (1977) Satyam Shivam Sundaram: Love Sublime (1978) - Bade Babu's Wife Janta Hawaldar (1979) - Naani Aangan Ki Kali (1979) Takkar (1980) - Ganga & Pritam's Mother Bin Maa Ke Bachche (1980) Ramu To Diwana Hai (1980) Dil Tujhko Diya (1987) - Mrs. Sahni (final film role)

Director Aaj ki Baat (1955)

Producer Aaj ki Baat (1955) Kisise Na Kehna (1942)