Larry Smith

Lawrence Smith (June 11, 1952 – December 19, 2014) was a pioneering American musician and hip-hop record producer. He is best known for his co-productions (with Russell Simmons) of Run-DMC's Run-D.M.C. and King of Rock (1985) and his solo production of Whodini's Escape (1984) and Back in Black (1986).

It is a measure of Smith's creative range that he could work simultaneously with the decidedly dissimilar Run-D.M.C. and Whodini.

Smith's work has engendered not just critical esteem, but popular success. In the month ending February 23, 1985, both Run-D.M.C. and Escape were certified gold by the RIAA, as was the Fat Boys' eponymous debut studio album, on which Smith played bass guitar and helped to compose the hit single "Jail House Rap." These were among the first hip-hop albums to be certified for Gold-level sales by the Recording Industry Association of America (RIAA).

In 1987 Whodini's John "Ecstasy" Fletcher described Smith as "the Quincy Jones of rap." In 2010 Run-DMC's Darryl "D.M.C." McDaniels claimed, "Larry Smith's musical arsenal equals Dr. Dre's." In 2009, the producer DJ Premier placed Smith first on his list of Top-5 Dead or Alive Producers, ahead of Marley Marl, Kurtis Mantronik, James Brown, and Rick Rubin.

Early career Larry Smith was born and raised in St. Albans, Queens, New York,

In 1979, Smith was recruited by his old friend Robert "Rocky" Ford, then an aspiring record producer, to play bass on Kurtis Blow's "Christmas Rappin'." "Hard Times," "Tough," "Day Dreamin'," and "The Deuce."

It was while working with Blow that Smith met Blow's manager, Russell Simmons.

When Run-DMC's eponymous first album was released in the spring of 1984, it was hailed by Robert Christgau as "easily the canniest and most formally sustained [hip hop] album ever." One of the album's standout tracks was "Rock Box", a pioneering hybrid of hip hop and rock. According to Bill Adler in Tougher Than Leather: The Rise of Run-D.M.C., the record came together when the group overheard the band Riot recording in New York's Greene Street Studios. "They saw these loud guitars," remembers Russell Simmons, "and they started screaming, 'We can do that! What the we're going to make loud noise too!'" Steve Loeb, the owner of Greene Street, was skeptical of the viability of a rock–hip hop crossover, but Smith overruled him and recruited Eddie Martinez—a personal friend of his—to supply the guitar part for "Rock Box".

Run-D.M.C. was named by The Source magazine in 1998 as one of the 100 Best Rap Albums Ever and by Rolling Stone as one of the 100 Greatest Albums of the 1980s. In 2005, critic Tom Breihan described the album as "the LP that forever tore rap away from disco and made it its own thing".

Smith and Simmons's second album for Run-DMC was King of Rock. The title track, which again featured Eddie Martinez on guitar, let the group "crunch and pop like some sort of hip-hop Black Sabbath," in the words of Rolling Stone s J.D. Considine. In recent years, it was featured on the soundtrack of the video games Guitar Hero: Aerosmith and Thrasher: Skate and Destroy. The album also featured the track "Roots, Rap, Reggae", which has been credited by critic Jay Quan as "the first time that a major reggae artist (Yellowman) collaborated with a rap act". King of Rock was certified Platinum in 1987.

Making Escape In the wake of the success of Run-D.M.C.'s first singles, Smith was engaged to produce a new album by Whodini, a Brooklyn hip hop trio that had been recording for then-London-based Jive Records since 1982.

In a 2009 interview with Jesse Serwer, Whodini's Jalil Hutchins recalled being introduced to Smith at Disco Fever in the Bronx: "Me and Larry became friends, and when we was going to record, we said, 'Lar, what you got?' He laid out his ideas real fast, and the first was 'Five Minutes of Funk.' When we caught that beat, we were like, 'Messing with you is gonna be fun.' We made that record in, like, a half hour." Certified platinum in 1987, Escape was named one of the 100 Best Rap Albums in The Source in 1998.

The critic Vince Aletti, writing for Andy Warhol's Interview magazine in April 1986, summed up the impact of Smith's work for Whodini: "A funky but melodic mix that gives the material the appeal of songs rather than bare-boned rap attacks, these songs have gone on to become hits that helped open ears and airwaves to [hip hop]."

Personal life Smith married his wife Michelle on his birthday, June 11, 1986. They met in England whilst he was producing Whodini's second album. They married in New York.

In November 2007 Smith suffered a stroke.

He died on December 19, 2014.