Kopel Gurwin

Kopel Gurwin (; 1923–1990) was an Israeli wall hanging artist, painter and graphic artist.

Family and youth Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. His father Mordechai worked as a shoemaker and his mother Malka as a housekeeper. Kopel and his siblings, Moshe (Meshke') who was two and a half years his elder, and Chava (Chavale’) who was four years younger, spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network.

Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing.

With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered.

The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. , in which Sweden took in ill survivors for rehabilitation. He was also treated in Olofsfors sanatorium, Avesta. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement.

Beginning of artistic career With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time.

Wall hangings

With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States.

Following the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre, the journalist Nissim Mevorah wrote: "The black color connecting the felt to the upholstery fabric (through hand stitching) highlights the contours. The aforementioned process repeats itself several times since every tapestry is composed of at least three layers. Color attracts color, until the completion of the work. Thanks to this technique, his work goes beyond purely technical art and borders on artistic action. The colorfulness inherent in the felt is luscious and rich. This is the reason Gurwin selected this material for his works. He has a highly developed sense of color and thanks to this his works look as though they are being engulfed by red and blue flames. The biblical characters filling Gurwin's wall hangings are inspired by the Jewish artistic folklore of Eastern Europe. Around the biblical verse which adorns the characters like a crown, appear oriental decorative motifs based on the rhythm of repetitive forms. By contrast, even contemporary graphic styles, among them the works of great artists such as Paul Klee, are among the influences on these wall hangings. At times of heavenly mercy Gurwin prepared works based on psalms of thanksgiving. His romantic moods resulted in tapestries dedicated to the Song of Songs."

In 1974 Kopel was approached by the women of the Beth Shalom Congregation (Sisterhood) in Kansas City, USA, with a request to design a wall hanging 5.40 X 2.70 meters in size. The intention was for a tapestry that the community women could be involved in its production. Kopel designed the work in all its detail and sent precise execution instructions for the wall hanging which was designed as a tapestry around the theme of the Garden of Eden. Following approval of the sketch, Kopel received 50 pieces of special canvas for tapestry embroidery, as well as a catalogue of wool thread with 200 shades. He connected the pieces into a large tapestry, enlarged his sketch and prepared precise instructions for each embroiderer. He then dismantled the tapestry into pieces and sent the pieces of fabric to the women congregants. 70 women took part in sewing the tapestry and completed together 2 million stitches over two years.

In an article about the project, Barbara Jaekel Miller, previously editor at The Times, wrote: "Kopel's genius is in his colors. To think that the huge tapestry was designed from a catalogue of wool threads without the artist being able to see the stages of construction. The final product is perfect, almost unimaginable."

An additional appliqué, 4.0 X 2.0 meters in size, hangs in the Church of the Good Samaritan in Miami. The subject of the tapestry was the seven days of creation. All the days of creation were written in English apart from the seventh day which Kopel ended with the word "Halleluiah" in Hebrew.

Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981.

In 1979 the company Kol Ha’Tor LTD, whose main goal was to deal with manufacture, marketing and sale of "artistic works from fabric", was established.

The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed.

Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv.

Personal life At the end of the 1960s Kopel met Hannah Brooks, who worked in textile design for industry and wove artistic cloths for fashion designers. The two participated in artistic projects for hotels and public buildings. In September 1974 they wed. in 1980 they moved to Beit Yanai.

Kopel Gurwin died at the age of 67 as a result of heart disease. He was survived by his wife, Hannah and their two children, Boaz and Shira.

Exhibitions

Year Theatre/Gallery Location 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv

Prizes

Year Prize Description 1971 First Independence Day poster 1971, 23 years of the State of Israel 1969 Second International Tel Aviv poster fair 1968 First Independence Day poster 1968, 20 years of the State of Israel 1964 First and Second Independence Day poster 1964, 16 years of the State of Israel 1960 First Poster for the 25th Zionist Congress 1960 First and Third Independence Day poster 1960, 12 years of the State of Israel 1958 First Poster for the Tel Aviv jubilee 1957 Second Prize from the printing company Ortzel for a Jewish New Year greeting card drawing 1957 First Foundation in California for poster design 1957 Herman Shtruk award for a drawing on the subject of Jerusalem 1956 First Prize from the Lethem Foundation in California for poster design 1954 Distinction Reuben and Sarah Lif award for distinction in calligraphy studies 1951 Front cover design for Communication Corps bulletin