Klara Lidén

Klara Lidén (born 1979) is a contemporary artist. She currently lives and works in Berlin and New York City. Lidén is known for her installations and videos that respond to specific architectural environments.

Early life and education The younger of two sisters, Lidén grew up in suburban Stockholm. Her mother is a doctor, her father a biologist. She attended the School of Architecture, Royal Institute of Technology, Stockholm (2000–2004), the Berlin University of the Arts, Berlin (2003) and the University College of Arts Crafts and Design, Konstfack, Stockholm (2004–2007). a combination playhouse, retreat and gallery within a gallery, the tower was made of the same material that the neighborhood's homeless people used for protection and bedding. In her 2007 exhibition at the Moderna Museet, she moved the entire contents of her apartment into a museum. At the Nordic pavilion at the 2009 Venice Biennale, assembled by fellow artists Elmgreen and Dragset, she created a fictional teenager's bedroom that offered an unusual form of escape – an emergency axe as well as a hole in the wall. For a 2012 at Reena Spaulings, she erected a blue wall across the gallery space with a door admitting visitors into a room filled with 80 used Christmas trees taken from the streets of the city.

Her Poster Paintings series, which she began in the late 2000s, consists of four-inch wads of advertisement posters glued together. These poster sediments come from Berlin, where they are a typical feature in the urban landscape; Lidén's sole addition is a white top sheet on this multilayered work.

Her short films capture the improvised performative actions that she undertakes in public urban spaces. In the final year at the Royal Institute of Technology in Stockholm, she was asked to give a lecture there about urban planning. Instead, she showed Paralyzed (2003), in which she danced provocatively to a musical soundtrack full of shrieking and hooting on a Stockholm commuter train.

Lidén's photographic works also explore the urban space by placing the artist in direct contact with the fabrics of the city: she climbs down a manhole in Untitled (Down) (2011) and stands nonchalantly on a wooden post in a city port in Untitled (Pier) (2013).

Exhibitions Lidén has exhibited her work and performed extensively worldwide since 2003. Venues for group exhibitions include the Urban Gallery, Berlin (2003), Art in General, New York, Stockholm Art-Fair (2004) and Outfest, Los Angeles (2005). Single exhibitions have since been held at Moderna Museet, Stockholm, Reena Spaulings Fine Art, New York, the Serpentine Galleries, London (2010), Galerie Neu, Berlin (2015), Le Consortium, Dijon (2015) and WIELS, Brussels (2015). The artist made her solo U.S. museum debut in the Museum of Modern Art’s Elaine Dannheisser Projects Series in 2009, where she created Project 89. In 2009, Lidén's work was presented as part of an exhibition in the Danish and Nordic Pavilions at the 53rd International Art Exhibition of the Venice Biennale and she received a special mention from the jury of the 54th Venice Biennale. 2010 blauorange Award 2010 International Artist-In-Residency programme, Artpace, San Antonio 2011 Special Mention, 54th Venice Biennale 2011 Preis der Nationalgalerie für junge Kunst

Literature Sophie O'Brien (ed.), Klara Lidén (Ill.) et al.: Klara Lidén. Serpentine Gallery: Moderna Museet. Buchhandlung Walther Konig GmbH & Co. KG. Abt. Verlag, Cologne 2010. Christiane Rekade (ed.), Klara Lidén (Ill.) et al.: Klara Liden - Rumpfflächen und Plündererbanden. Kerber Christof Verlag, Bielefeld 2011. Heartney, Eleanor; Posner; Princenthal; Scott (2013) The Reckoning: Women Artists of the New Millennium, published by Prestel Verlag, pp. 142–147,