Käte Schaller-Härlin

Käte Schaller-Härlin (Katharina Maria Schaller-Härlin), née Härlin (born 19 October 1877 in Mangalore; died 9 May 1973 in Stuttgart-Rotenberg), was a German painter known for portraits, still lifes, and monumental church paintings.

Biography Schaller-Härlin née Härlin was born on 19 October 1877 in Mangalore, India. She was the daughter of missionary parents. She moved to Germany as a young woman and attended arts and crafts school in Stuttgart and the women's academy in Munich. Her teachers included Adolf Hölzel and Angelo Jank.

At the Württemberg Women Painters' Association, she took nude drawing lessons from Rudolf Yelin the Elder. From 1900 to 1904, she attended the Women's Academy of the Munich Women Artists' Association, where she published her first illustrations in the magazines Jugend and Meggendorfer Blätter. At the beginning of the 20th century, she undertook study trips to Italy and France.

In the summer semester of 1909, she took lessons from Adolf Hölzel at the Royal Academy of Fine Arts in Stuttgart (now the State Academy of Fine Arts Stuttgart). and Elisabeth Mann.

Notable sitters include:

Theodor Heuss Elly Heuss-Knapp Hedwig Heuss John von Hieber Hugo Borst, Stuttgart art collector Erich Schairer from the Stuttgarter Zeitung Otto Jüngling, surgeon Walter Rehberg, pianist Martin Elsaesser, architect

A self-portrait of the artist from 1923 is now part of the Hugo Borst collection in the Staatsgalerie Stuttgart.

Murals and Stained Glass In collaboration with the church architect Martin Elsaesser, she created murals and stained glass for various Protestant churches in Württemberg. Examples of this work can be found in the Protestant parish church in Stuttgart-Gaisburg (1913), the Protestant St. Martin's Church in Oberesslingen (1918), the Protestant St. Blasius Church in Holzelfingen (1909), the Protestant Luther Church in Baden-Baden Lichtental (1907 and 1910), and the Eberhard Church in Tübingen (1911).

Her body of work includes illustrations, sacred wall and stained-glass paintings, portraits, still lifes, and landscapes. Studies of Giotto in Florence influenced her monumental painting style, which, at the beginning of her career, was rooted in Art Nouveau. Over time, through exposure to the works of Henri Matisse, Maurice Denis, and Paul Cézanne, her style increasingly aligned with modern artistic movements—always contemporary, yet never abstract. Of particular note is her pioneering role as a woman in the field of sacred wall and stained-glass design.

Notable works include:

Frescoes; parapet painting of the twelve disciples of Jesus in the Blasius Church in Holzelfingen Murals in the chancel of the Gaisburger Church in Stuttgart Stained glass windows and murals in the Luther Church of Lichtental near Baden-Baden Stained glass window of St. Martin's Church in Oberesslingen (1918) Stained glass windows of the Evangelical City Church in Oberndorf am Neckar Stained glass windows of the castle chapel in Tettnang Stained glass window of the Dionysius Church in Bodelshausen , donated in 1930 by the Gehring family from Bodelshausen