Judd Greenstein

Judd Greenstein (born 1979) is an American composer of contemporary classical music, and an avid promoter of new music in New York City. He is also a co-director of New Amsterdam Records.

Life and career Judd Greenstein was born and raised in Manhattan, and attended Hunter College Elementary School and Hunter College High School. He received his undergraduate degree from Williams College, and his masters in music composition from the Yale School of Music where he studied with Martin Bresnick, Aaron Jay Kernis, and Ezra Laderman. Shortly after Yale, Greenstein began to draw attention in the New York classical scene for the pulse-driven quality and "impressive confidence" of his music, which was being performed at Carnegie Hall, Tanglewood Music Center, and the Tribeca New Music Festival. The New Yorker critic Alex Ross also regularly lauded the exciting freshness of Greenstein's work as early as 2005. Since then he has received dozens of commissions, and has had his music performed at leading classical music festivals including Bang on a Can Marathon Concerts, Tanglewood, the Carlsbad Music Festival, and the MATA Festival.

In addition to his work as a composer, Greenstein has tirelessly demonstrated his support for new music and young composers through various forms of curation and community organization. Since 2008, he has served as co-director of the non-profit label New Amsterdam Records along with William Brittelle and Sarah Kirkland Snider. In 2011, Greenstein curated the Ecstatic Music Festival at Merkin Concert Hall, giving indie-classical and indie-pop artists like Owen Pallett, Shara Nova, Julianna Barwick, and Victoire an "uptown" arena to showcase their sophisticated endeavors. The festival has been compared to the genre-indifferent Bang on a Can, but with less of the latter's highbrow intimidation and intellectualized atmosphere.

In 2014, Greenstein, together with Michi Wiancko, composed the score for the feature film The Mend, which premiered at the SXSW Film Festival in March 2014. In 2015, Four on the Floor (2006) was performed in a premiere [as arranged] at the Naumburg Orchestral Concerts, in the Naumburg Bandshell, Central Park, in the summer series.

Musical style Critics have frequently commented on Greenstein's idiosyncratic style, which maintains a pulse-driven poppish sensibility while employing a sophisticated harmonic language. He is often identified with a group of young New York-based composers like Nico Muhly, Missy Mazzoli, and Corey Dargel, who fuse the accessibility of minimalist classical music with popular vernaculars to create genre-indifferent works, commonly labeled "indie-classical". In a detailed analysis, musicologist Kyle Gann remarked on Greenstein's typically polymetric compositional structures, giving his music a "foot-tapping pop surface in front of a background rhythmic complexity", akin to the 1980s advent of totalism.

Works Central to Greenstein's compositional career has been his work with NOW Ensemble, for which he is the co-artistic director and has composed several pieces. The Yehudim had its concert debut in March 2011 at Merkin Concert Hall premiering Greenstein's piece "Sh'lomo", and was called "an epiphany" by Steve Smith of The New York Times. He has also recently been commissioned to write works for ETHEL, Gibbs & Main, and a large-scale work for the Minnesota Orchestra.