Joe Jones

Joseph John Jones (1909–1963) was an American painter, landscape painter, lithographer, and muralist. Time magazine followed him throughout his career. Jones was associated with the John Reed Club and his name is closely associated with its artistic members, most of them also contributors to the New Masses magazine.

Background Jones was born in St. Louis, Missouri, April 7, 1909. Self-taught, he quit school at age fifteen to work as a house painter, his father's profession.

Career Jones worked in his native St. Louis, Missouri, until age 27, then spent the rest of his life based in or around New York City. His work is in the collection of the Cleveland Museum of Art, the Denver Art Museum, the Detroit Institute of Arts, the National Gallery of Art, the Saint Louis Art Museum, the Smithsonian American Art Museum, and the Whitney Museum of American Art.

Missouri

Jones' experiments in painting won him a series of prizes at the St. Louis Art Guild exhibitions. Following these came a commission to paint a mural at the KMOX radio station and a solo exhibition by the guild.

New York Perhaps Jones' first appearance in New York came with his painting "Wheat" at the Whitney Museum's Second Biennial of Contemporary American Painting (1934–1935).

When Jones came to New York, a symposium by the New Masses celebrated his arrival on February 2, 1936. Participating were Louis Bunin (puppeteer), Stuart Davis (American Artists' Congress), Joseph Freeman (literary critic and founder of the New Masses), William Gropper (fellow painter and cartoonist), Jerome Klein (critic of the New York Post, and Roger Baldwin (chairman).

Time reported on both of these one-man shows in New York, first at the ACA Gallery in 1935, followed by the Walker Gallery in 1936. The first show included the paintings We Demand, Garbage Eaters, Demonstration, The New Deal, and the shocking American Justice.

In 1937 the Metropolitan Museum of Art acquired at least one Joe Jones painting as part of (then) 85 paintings of living American artists. The same year Jones was awarded a Guggenheim Fellowship to document conditions in the Dust Bowl. and a second article on Baltimore's first exhibition of "Labor in Art" at the Baltimore Museum of Art.

His mural Turning a Corner in the Anthony United States Post Office, in Anthony, Kansas, was painted in 1939.

World War II In 1943, Joe Jones was enlisted into the War Art Unit. Although the Army background check revealed Jones was a member of the Communist Party, the art program's chief advisor, George Biddle, supported him, stating that Jones was "willing to swear that he never had any intention or obligation to disrupt the American Government". Jones was assigned to the Alaska Defense Command, at Fort Richardson, outside Anchorage, Alaska.

New Jersey By 1951, for a new show in New York, Time was reporting the "angry man calms down." The paintings on exhibit showed "delicately colored, wiry-lined pictures of beaches, towns, and harbors... without a park of sorrow or anger in them." Jones (then, 42 years old) did not want to "sit on top of a reputation," had lost interest in Communism, and removed "class war" from his paintings. He became interested in delicate lines and low-toned colors, a reaction against "the preoccupation with light and shade that has victimized Western art since the Renaissance." By this time, he saw paintings as "space, not objects" and sought humanism not in subject but "of the line." By this time, he was already residing in Morristown, New Jersey.

By 1952, Time had cited him as one of 48 artists whose 250 paintings had been commissioned by Standard Oil of New Jersey. Time mentioned Jones with other of the 48 artists by name: the other two were Peter Hurd and Thomas Hart Benton.

Time magazine covers For May 1961, Jones painted The Faraway Places for a Time cover story in its Modern Living section on travel. Time announced his addition to "the small group (about 80 men over the past 38 years) who have painted a Time cover." According to a Letter from the Publisher, Jones, who had done little foreign travel, "riffled through scads of travel photographs" and produced a work depicting a girl from Tahiti, cliffs near Beirut, a Greek island, and a Portofino harbor.

For December 1961, Time used one of his paintings for their annual Christmas issue. (Jones based the painting on "impressions of the seasonal scene in Atlanta." )

Personal life and death In the 1930s, Jones was a member of the John Reed Clubs.

Jones died on April 9, 1963, in Morristown, New Jersey. As reported by Time he was 54 years old. Of his early, radical work, the magazine cited American Justice with the corpse of a half-naked black woman who has been raped and lynched against a background of quietly chatting Ku Klux Klansmen. For his later, "softer Japanese-like style," it cited his December 1961 cover and a mural of Boston Harbor in the dining salon of the .

Legacy In 2010 a monograph entitled Joe Jones: Radical Painter of the American Scene was published by the Saint Louis Art Museum. In 2017 the Albrecht-Kemper Museum of Art held a retrospective exhibition entitled The Restless Regionalist: The Art of Joe Jones.