Jimmy "Duck" Holmes

Jimmy "Duck" Holmes (born July 28, 1947) Holmes is known as the last of the Bentonia bluesmen, as he is the last blues musician to play the Bentonia School. Like Skip James and Jack Owens and other blues musicians from Bentonia, Mississippi, Holmes learned to play the blues from Henry Stuckey, the originator of the Bentonia blues. Holmes' music is based in the Bentonia tuning utilizing open E-minor, open D-minor and a down tuned variant, and is noted for its haunting, ethereal, rhythmic and hypnotic qualities. His eighth album, It Is What It Is, on Blue Front Records has been praised by fans and music critics who have called it: "addictive" and "obsession worthy", was born in Yazoo County, Mississippi, United States, to Carey and Mary Holmes at their home in Bentonia, Mississippi. Holmes' parents were sharecroppers, who opened the Blue Front Cafe in 1948, the year after he was born.

Music and musical influences Holmes' was first taught how to play the Bentonia School by Henry Stuckey, the man who created the unique style of blues after he returned to Bentonia, Mississippi after World War I. Stuckey moved next door to Holmes and the young Holmes would hear Stuckey playing on his front porch. Around 1957, Holmes picked up Stuckey's guitar and started to learn.

Carey Holmes bought Jimmy his first guitar, a yellow and black plastic toy guitar for Christmas. While Holmes would occasionally play with an uncle's electric guitar when he visited his uncle in New York City in the 1960s, it was not until the 1970s that Holmes bought his first guitar, a small acoustic guitar from Radio Shack.

Owens came to the Blue Front several times a week and Holmes sat outside with him and learned how to play such songs as "Hard Times Killing Floor Blues", "Devil Got My Woman", "Cherry Ball", and "Catfish". At the same time, Tommy West, a Hill country blues musician was also teaching Holmes how to play in that idiom. Holmes eventually incorporated some of the techniques he learned from West into his own playing, including using the low E string for a droning bass line. Acknowledging that he writes neither music nor lyrics and does not read music, Holmes says, ""I mean, I guess it's a divine thing. I don't know".

In the 1980s, Holmes began performing at the Bentonia Blues Festival that Holmes and his mother, Mary Holmes, started in 1972 as a community event that grew into one of the longest running blues festivals in the country. Holmes also started playing other blues festivals across Mississippi, the United States, Europe and South America including the Chicago Blues Festival, Waterfront Blues Festival, Mississippi Valley Blues Festival, Muddy Roots Music Festival, Briggs Farm Blues Festival, amongst others.

In 2003, Holmes recorded his first album over the course of three days at the Pluto Plantation for Shade Tree Records. It was a blues label started by Peter Lee, although the company folded before it ever released the recordings. Then in October 2005, Jeff Konkel visited the Blue Front Cafe and returned on November 17, 2005, to record Holmes. Those recordings were released in 2006 as Back to Bentonia on CD as Holmes's debut release and the first release by Broke and Hungry Records. The album featured some traditional Bentonia Blues songs as well as original compositions. Holmes was awarded two Living Blues Awards for Back to Bentonia, including Best Debut Blues Album and Best Acoustic Blues Album. Konkel was awarded Producer of the Year for 2006.

In 2007, Broke and Hungry Records released Holmes' second CD entitled, Done Got Tired of Tryin' . The CD received additional critical acclaim and was named one of the top 10 Blues Albums of 2007 by WXPN, World Cafe and was nominated for a Blues Music Award. In 2008, Fat Possum Records released Gonna Get Old Someday consisting of those original tracks Holmes recorded in 2003 for Shade Tree Records. In 2010, Broke and Hungry Records released Holmes' fourth album, Ain't It Lonesome.

Reception

Since Holmes started his recording career, he has appeared in documentaries, television programs and radio programs. In 2008, Holmes and the Blue Front Cafe were featured in the documentary M for Mississippi produced by Konkel and Roger Stolle. He appeared in the 2015 documentary film I Am the Blues.

His 2019 recording, Cypress Grove, was chosen as a 'Favorite Blues Album' by AllMusic. On November 24, 2020, The Recording Academy nominated Cypress Grove for the Grammy Award for Best Traditional Blues Album at the 63rd Annual Grammy Awards presentation on March 14, 2021.

Holmes' music is noted for its haunting, ethereal, rhythmic and hypnotic qualities. "as gritty, stark and raw as one could imagine" and "absolutely hypnotic",

Albums Back to Bentonia, 2006 Done Got Tired of Tryin’, 2007 Gonna Get Old Someday, 2008 Ain't It Lonesome, 2009 All Night Long, 2013 Twice As Hard, 2014 Live at Briggs Farm Blues Festival, 2015 It Is What It Is, 2016 Cypress Grove, 2019