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Jean-François Raffaëlli

1850 – 1924

French painter

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About Jean-François Raffaëlli

Lived 1850 – 1924 (aged 73). Jean-François Raffaëlli was a French painter, sculptor, printmaker, draftsperson, lithographer and illustrator.

Jean-François Raffaëlli (April 20, 1850 – February 11, 1924) was a French realist painter, sculptor, and printmaker who exhibited with the Impressionists. He was also active as an actor and writer.

Biography Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training.

Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas.

The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which: led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit.

After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924.

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Important facts

Birth century
Nationality
Education
Beaux-Arts de Paris
Awards
Officer of the Legion of Honour; Knight of the Legion of Honour
Also known as
Jean François Raffaëlli, Jean-François Raffaelli, Jean Francois Raffaelli, Jean-Francois Raffaelli, Jean François Rafaëlli, Jean François Raffaïlli
moreJean Raffaelli, Jean François Raffäelli, Jean-Franҫois Raffaëlli, Raffaelli, Rafaelli, Raphaelli, J. F. Raffaëlli, Jean Françisque Raffaëlli, Raffaeli, J.F. Raffaelli, J. F. Raffaelli, Francisque Jean Raffaelli, Jean Francois Raffaeli, Jean François Raffaelli

People in Jean-François Raffaëlli's life

Named in this biography and alive at the same time

Contemporaries

People whose lives overlapped Jean-François Raffaëlli's

Frequently asked questions

Who was Jean-François Raffaëlli?

French painter (1850-1924)

When was Jean-François Raffaëlli born?

Jean-François Raffaëlli was born on 20 April 1850 in Paris.

When did Jean-François Raffaëlli die?

Jean-François Raffaëlli died on 11 February 1924 in Paris.

What was Jean-François Raffaëlli's occupation?

Jean-François Raffaëlli was a painter, sculptor, printmaker, draftsperson, lithographer and illustrator.

What nationality was Jean-François Raffaëlli?

Jean-François Raffaëlli was French.

Sources & further reading

· Wikipedia: Jean-François Raffaëlli

· Wikidata: Q658862

· DBpedia: Jean-François Raffaëlli

Cite this page

APA: Biography.guide. (2026). Jean-François Raffaëlli. https://biography.guide/jean-francois-raffaelli/

MLA: "Jean-François Raffaëlli." Biography.guide, https://biography.guide/jean-francois-raffaelli/.

Chicago: "Jean-François Raffaëlli." Biography.guide. https://biography.guide/jean-francois-raffaelli/.

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