Jan Kubíček

Jan Kubíček (30 December 1927 – 14 October 2013) was a Czech painter and printmaker, and one of the most radical Central European exponents of constructivist and concrete art. He also spent more than a decade illustrating children's books for Czechoslovakia's main publishing house Albatros and designed iconic film posters and book covers throughout the 1960s. Moreover, having passed through a significant Lettrism phase during the early 1960s, he left behind an impressive body of photographs, illustrations and graphic art for which he received the 1999 Vladimír Boudník Award.

Education From 1949 to 1953, under the tutelage of Prof. Jan Novak, Kubíček studied at the School of Applied Arts in Prague, from where he graduated. From 1954 to 1957, under the tutelage of Prof. František Tröster, Kubíček studied scenography at the Academy of Performing Arts in Prague.

Jan Kubíček was a member of the Czech designers' group Hollar, contributed to exhibitions of Czech constructivism from the late 1960s, and concomitantly was involved with Klub Konkretistov.

Role in Czech post-war art Ladislav Daněk of the Olomouc Museum of Art relates, "Jan Kubíček substantially influenced Czech post-war art several times. At the turn of the 1960s his paintings were a certain antipole to the "dark" tones of structural abstraction. Subsequently, from 1962 to 1966, he participated in the formation of the Czech form of the international lettrism movement. From 1967 Kubíček was one of the key figures of neo-constructivist tendencies, and he continued to develop his original geometric programme until the end of his life. Kubíček's photographic work, though seldom mentioned, is also significant. The characteristic features of the artist's works of lettrism and geometric abstraction are: the sense of order, the striking visual message, the absence of literary contents and a precise painting technique."

Kubíček was a step ahead even in the artistic circles of his day. Owing to prohibitive strictures of the totalitarian regime, his work only gradually became widely appreciated in recent decades. Writes Jiří Machalický, "Not everyone will understand Kubíček’s way of thinking in the same way. It is not a mathematical game, but an exact solution to problems, combined with intuition, without which art is impossible. And if we look at his work as a whole, it possesses an immeasurable logic found with few other artists, as well as the ability to open up other alternatives. It was a natural part not only of Czech, but also of progressive European art, which continued to develop the legacy of pure abstraction and constructivist tendencies."

From an early fascination with visual aspects of the contemporary city, Kubíček developed an autonomous use of geometry in his work. ranks among the most significant exponents of Czech constructivism.

During the Soviet occupation of 1968, Kubíček took the advantage of the chaos at the border and transported his artworks without permission to a solo exhibition at Gallery Teufel in Koblenz. "Owing to Prague Spring," writes Julie Koch, "Kubíček was able to deepen his contacts with Western artists. His work has proven to be remarkably parallel to trends on the international scene. Like other principle figures of constructivist/concrete art, Kubíček is popular in Switzerland, Holland and particularly Germany."

In 2016, Czech architect Zdeněk Fránek fabricated an enormous steel version of a tiny Kubíček object, and the resultant work was installed as a memorial to Kubíček in his birthplace city of Kolín.

Objects Early in his career Kubíček realised that the third dimension would render his work more complex and complete. Perspex seemed to him the ideal material for this purpose. Moreover, the layering of sheets in space allowed the viewer to see through objects, and multiple layers accentuated colors, proffering tones distinct from those available through the conventional mixing of acrylic paints. In 2016 one of Kubíček's designs for a large object was realized by architect Zdeněk Fránek and installed as a Jan Kubíček memorial at a public park in his birthplace city of Kolín, Husově náměstí, opposite the city's Jan Hus memorial.

Retrospective In April 2014, six months after his death, Prague Municipal Gallery held a major retrospective of Kubíček's work, consisting of about 150 pieces from Czech and European collections, curated by Hans-Peter Riese, and signaling a new era for the acknowledgement and appreciation of Kubíček's oeuvre. "Kubíček's work is artistically and spiritually multifaceted, branching off into an incredible variety of directions," wrote Czech art critic Jan Šída.

The following year a consolidated version of Riese's Kubíček retrospective traveled to the Anger Museum in Erfurt, Germany.