Ina Benita

Ina Benita (1 March 1912 – 9 September 1984 ) was a popular Polish actress of the interwar period. She was born Inna Florow-Bulhak in Kiev, then part of the Russian Empire. She is referred to as the first femme fatale of the Polish cinema of the interwar period.

Biography Benita's father, Mikołaj Gerwazy Bułhak, and mother, Helena Jeszczenko, considered themselves as Poles and were planning to move to Cracow, but when World War I broke out their plans were delayed. In 1920, the future actress and her family finally moved to the newly resurrected Poland. In the late 1920s, Benita left for Paris and graduated from the Sacré Cœur School. After returning to Poland, she continued her education in Warsaw. Ina debuted on stage on 29 August 1931, with the Warsaw Theatre group Nowy Ananas ("New Pineapple"), in the show Raj dla mężczyzn (Paradise for Men). One year later she debuted in Ryszard Briske's film Puszcza. From then on she performed mainly in movies. Benita, however, also appeared on stage, mostly in Warsaw's revues, such as Cyrulik Warszawski (1937), Wielka Rewia (1938–39), and Ali Baba (since spring 1939).

During World War II, in German-occupied Poland, Benita played in German-sponsored theaters, which resulted in allegations of collaboration with the Nazis. However, during the German occupation, she worked undercover for the counterintelligence services of the Polish resistance - Home Army. Sometime in 1943 she began a relationship with an Austrian Wehrmacht officer (his name remains uncertain—according to some sources he was Otto Haver, with whom she left for Vienna. In the summer of 1943 Benita's partial-Jewish ancestry (she had a Jewish grandmother from the father's side) came to the attention of Gestapo, and both her and her lover were accused of "Rassenschande"—a crime against racial purity—which, under German laws in occupied Polish territory, meant a death sentence. However, most certainly due to the backstage pressures from Benita's German admirers, they were judged according to the laws governing in Vienna at the time, and he was sent to the Eastern Front instead, Benita was presumably imprisoned in Warsaw's high security Gestapo prison Pawiak. However, the name "Otto Haver" does not appear either in the address books of the city of Vienna or in the registers of Wehrmacht officers. However according to new research his actual name very likely could be spelled as Otto Hauer.

The reports of the ZWZ-AK show that from autumn 1942 to March 1943 Benita was associated or befriended with Gerhard Ludwig Manzel, head of the Presse Department, and then Musik und Theater in the Propaganda Department for General Government. In March 1943, for releasing Polish prisoners through the mediation of the actress, Manzel was sent to the eastern front as a punishment, but he managed to escape and return to Warsaw.

In the spring of 1943, Ina Benita begun relationship with Hans Georg Pasch - a German underground activist, opposed to the Nazis, who helped prosecuted Poles and Polish Jews. At the beginning of 1944, they were both arrested and imprisoned in Pawiak, most likely in connection with their underground activity. On April 7, 1944, in the female ward of Pawiak, "Serbia", the artist gave birth to a son, Tadeusz Michał, whose father was Pasch. 1937 – Three Troublemakers 1938 – Ludzie Wisły ("People of the Vistula River"; "River People" – U.S. VHS title) 1938 – Gehenna 1938 – Serce matki ("Mother's Heart") 1938 – Moi rodzice rozwodzą się ("My Parents Are Divorcing") 1939 – O czym się nie mówi... ("What is Not to Said") 1939 – Doktór Murek ("Doctor Murek") 1940• – Sportowiec mimo woli ("Involuntary Athlete"; "The Sportsman Against His Will" – U.S. VHS title) 1941• – Ja tu rzadzę! ("I'm in Charge Here!") 1946• – Czarne diamenty ("Black Diamonds")

• – Films made and scheduled for release in 1939, but premiered in later years due to outbreak of World War II