Herb Kawainui Kane

Early life and education Kāne was born in Marshfield, Minnesota. His father worked in the family poi business, became a paniolo, and later traveled across the United States with a Hawaiian band. He also served in the Army, Navy, and eventually worked as an optometrist. Kāne's grandfather immigrated to Waipiʻo Valley from China and built the first poi factory in the Hawaiian Islands, where he cultivated taro and produced poi. Kāne's mother's family were farmers of Danish ancestry in Wisconsin. Kāne spent his childhood moving between Wisconsin and Hawaiʻi.

In his book, Voyagers, Kāne describes an early interest in art. In 1935, as a child in Hilo, Hawaii, his mother took him to an art gallery, which was exhibiting the work of D. Howard Hitchcock. In Hawaiʻi, his father and family passed down the traditional folk tales of the islands.

Kāne later served in the United States Navy, qualifying for veterans' educational benefits under the G.I. Bill. After his discharge, he used these benefits to attend the School of the Art Institute of Chicago, where he earned a bachelor's degree and, in 1953, a master's degree. Under an arrangement between the University of Chicago and the School of the Art Institute of Chicago, his master's degree was awarded by the University of Chicago.

Early career

Herb Kāne operated his own advertising studio on Michigan Avenue in Chicago. As a designer, illustrator, and author, he created advertisements for books, magazines, and television. However, Kāne found advertising work unsatisfying, noting that he grew tired of drawing the Jolly Green Giant, even after winning a campaign featuring the character.

While sailing his racing catamaran on Lake Michigan, Kāne began researching Hawaiian canoes at the University of Chicago library and the Field Museum of Natural History. In the 1960s, Kāne created a series of fourteen paintings depicting Polynesian canoes. In 1969, these paintings were purchased by the Hawaiʻi State Foundation on Culture and the Arts. Their purpose was to demonstrate that ancestral Polynesian voyagers could have navigated in vessels of a similar type to settle Hawaiʻi. Kāne said his goal was also to spur a revival of cultural identity among Hawaiians and Pacific Islanders.

Kāne's art depicts historical scenes including voyaging canoes, battles, everyday domestic life, and ceremonial occasions. Kāne also sometimes portrayed Hawaiian legends, spirituality, and mythology, as seen for example in his painting Pele, Goddess of the Volcano. Standing on display at the Jaggar Museum at Kīlauea, it depicts Pele with fire in her eyes and flowing lava as her hair. Kāne's art was often heavily researched to ensure historical accuracy. Site-specific works Kāne's paintings include several large canvases and murals for hotel lobbies and similar public and commercial spaces. His 1973 mural, made of wool, titled Opening of the Pacific to Man, was designed for a space above the entrance to the Pacific Trade Center in central Honolulu. It measures high and wide, and depicts voyaging canoes and a central male figure holding a paddle. As a design consultant, Kāne worked on resorts and visitor centers in Hawaiʻi and the South Pacific, as well as a cultural center in Fiji. Several of his large canvases are on permanent view at the Outrigger Hotel in Waikīkī, Honolulu.

One 1973 site-specific mural was painted on a custom-designed wall as part of a history center under construction (and never completed) at Punaluu Beach. The historical mural, titled Ancient Punaluu, Hawaiʻi Island, measured wide by high. The mural shows alii, warriors, and commoners on a black sandbar separating Punaluu Bay from a pond, with a thatched ceiling evoking an old Hawaiian shelter. Pebbles and sand at the base of the painting led to real pebbles and sand on the floor of the center." thumb Installation photo of Ancient Punaluu, Hawaiʻi Island by Herb Kāne In 1975, the mural survived a tsunami that destroyed the interior of the building. According to Kāne's account on his personal blog, quoting eyewitnesses, the wave left a mud line on the wall except on the mural, which was dry and undamaged. Then, in 2005, the mural was stolen from the site, which was vacant and unfinished. Thieves are believed to have cut out the wall in five sections using a circular saw powered by a portable generator, and in this way, stole the painting, which has never been recovered.

Stamps Kāne designed seven postage stamps for the United States Postal Service. His 1984 stamp for the 25th anniversary of the Hawaii Admission Act depicts a double-hulled voyaging canoe, a Pacific golden plover (a migratory bird which winters in Hawaiʻi), and a volcano erupting on the flank of Mauna Loa.

Kāne's 2009 stamp for the state's 50th anniversary depicts a person surfing and people paddling a traditional outrigger canoe, all riding the same wave. Kāne was critical of the typography in the final design, which he felt mistakenly substituted an apostrophe for the ʻokina in the word Hawaiʻi. He also designed stamps for several Pacific island nations, including French Polynesia, the Federated States of Micronesia, and the Marshall Islands. His bronze sculpture, The Young Kamehameha, stands in Wailea, Maui.

Publications

As author

As illustrator

Christmas Time with Eddie Kamae and the Sons of Hawaiʻi (1977 album cover). Hawaii Sons. HS-4004. Voyagers, The First Hawaiians (2009 film by Paul Csige, based on the Kane's book Voyage: The Discovery of Hawaii)

Honors 1984—Living Treasure of Hawaiʻi from the Honpa Hongwanji Mission of Hawaii 1987—Pookela (Champion) for the Year of the Hawaiian celebration 1988—Founding trustee of the Bishop Museum Native Hawaiian Culture & Arts Program 1998—Charles Reed Bishop Medal from the Bishop Museum 2002—Award for excellence from the Hawaiʻi Book Publishers Association 2008—Honorary Doctor of Fine Arts from the School of the Art Institute of Chicago