Henry Bracy

Henry Bracy (8 January 1846 – 31 January 1917) was a Welsh opera tenor, stage director and opera producer who is best remembered as the creator of the role of Prince Hilarion in the Gilbert and Sullivan comic opera Princess Ida. Bracy often played the leading tenor role in the works in which he appeared, becoming one of the most popular comic tenors of the Victorian era. His wife, Clara, was an actress.

After beginning his career in Plymouth, Bracy spent four years performing at London's Gaiety Theatre in the early 1870s. He and his wife then travelled to Australia, where they performed in French operettas for the rest of the decade. They returned to Britain in 1880, continuing in operetta roles. In 1884, Bracy originated the role of Hilarion, after which he further built his reputation in British comic opera and operetta. In 1888, the Bracys returned to Australia. After a season at the Sydney Opera House and touring in operettas, the Bracys joined the J. C. Williamson organisation, by which he was employed for most of his ensuing career, until 1914, as a performer, stage manager, stage director and casting agent. His occasional attempts at theatre management on his own behalf brought him financial losses and forced him to declare bankruptcy in 1897.

Early life and career Bracy was born in 1846 as Samuel Thomas Dunn in Maesteg, South Wales, the son of an ironworks manager.

He began his theatrical career in 1866 at the Plymouth Theatre and spent three seasons with the company before making his London debut at John Hollingshead's Gaiety Theatre in 1870. Bracy appeared at the Gaiety for nearly four years. In 1873, Bracy was employed as a principal tenor with the Opera Comique in London.

In September 1873, Bracy and his wife, Clara (born Clara Rose Hodges), half-sister of Lydia Thompson, traveled to Australia to perform in Jacques Offenbach's operetta Lischen et Fritzchen at the Theatre Royal in Melbourne, Clara Bracy was well received by the press.

In 1880, the couple returned to Britain, where Bracy undertook the role of Hector in the hit London production of Madame Favart, replacing Walter H. Fisher. He also appeared in roles during the early 1880s in Les Mousquetaires (1880 at the Globe Theatre); as Frittelini in Audran's long-running production of La mascotte (1881 at the Comedy Theatre), in which his song, "Love is Blind" was a great success; The Athenæum approved of his vocal performance.

Bracy then continued to build his reputation in comic opera parts in London, in productions including The Grand Mogul, by Edmond Audran and H. B. Farnie, at the Comedy Theatre, with Florence St. John, Frank Wyatt and Fred Leslie. and The Lady of the Locket, with Hayden Coffin at the Empire Theatre (1885), followed by a succession of productions at the Comedy Theatre, including Offenbach's Barbe-bleue, in which he played the title role, the London première of Jakobowski's Erminie (1885), with St. John (and later Marie Tempest) and Wyatt (1885), Caryll's The Lily of Leoville (1886), and Millöcker's The Beggar Student (1886). At the Strand Theatre, he appeared in Cellier's The Sultan of Mocha (1887). His last major role in Britain was the first London production of Gustave Michiels's Babette, with Florence St John at the Strand in 1888. His farewell to the West End stage was a special matinée at the Savoy Theatre, put at his disposal by Richard D'Oyly Carte, to mark his departure for Australia. Artists appearing included Williams, John Le Hay, Courtice Pounds, Durward Lely, Marie Tempest, Ben Davies, Coffin, Roberts and, in Cox and Box, Grossmith, Arthur Cecil and Temple.

Later years

In 1888 the Bracys returned to Australia, performing in concerts and then at the Sydney Opera House for a season, conducted by Henri Kowalski, in Kowalski's Moustique, The Beggar Student He was also praised for his performance in Moustique: "Mr Henry Bracy sang, as he always does with ease and sweetness, and greatly strengthened the cast. ... We could well afford to listen to Mr Bracy's pleasing voice and clear enunciation in one, or two more songs than those at present set down for him." Bracy then directed productions for John Solomon's English and Comic Opera Company for about a year, earning good notices for his roles in the productions. In 1890, the Bracys led their own company in productions of The Sultan of Mocha, The Beggar Student, and The Lady of the Locket at the Criterion Theatre. He and Clara also performed in some of the productions, and he directed the Bel Sorel season of grand opera. In Bracy resumed directing Williamson's Gilbert and Sullivan and other comic opera productions, in which he usually also appeared in the leading tenor role, including in Yeomen (1904), The Sorcerer (1905), Princess Ida (1905), The Mikado (1905), The Gondoliers (1905), and the first Australian production of Utopia, Limited (1905). His last role as a tenor was as Colonel Fairfax in Yeomen in 1908.

Clara moved to California and in 1908 appeared in D. W. Griffith's 1908 movie The Red Girl. Clara appeared in 90 films, becoming one of the earliest film actresses. Bracy and his wife had two sons, one of whom, Sidney Bracy, appeared on stage with Williamson and then in Britain and America before becoming a successful film actor. was wounded as a young soldier. Bracy retired in 1914; Williamson had died in 1913, leaving Bracy a bequest, and upon his retirement, the company also gave him a generous pension. He then visited San Francisco, where his wife was residing while performing for Charles Frohman.

Bracy died of Cerebrovascular disease in Darlinghurst, Sydney, Australia, in 1917. He was survived by Clara and his two sons and was buried at Waverley Cemetery. At the time of Bracy's death, Clara had been living in New York with her married son, Sydney. Philip travelled from Melbourne to attend his father's funeral.