Heinz Holliger

Heinz Robert Holliger (born 21 May 1939) is a Swiss composer, oboist, conductor and pianist. Known for his versatility and virtuosic technique, Grove Music Online credits him with raising the prominence of the oboe and enlarging its repertoire. A prominent figure in contemporary classical music, many leading composers have written for him, including Messiaen, Berio, Carter, Henze, Krenek, Lutosławski, Martin, Penderecki, Stockhausen and Yun.

A composer himself, Holliger has contributed his own oboe compositions, alongside works such as the opera Schneewittchen (1998).

Biography Holliger was born in Langenthal, Switzerland.

Music

Holliger studied composition with Sándor Veress and Pierre Boulez, and has composed many works in a variety of genres. Many of his works have been recorded for the ECM label. Walter Fink invited him to be the 17th composer featured in the 2007 Komponistenporträt of the Rheingau Musik Festival. There, Holliger conducted music by Claude Debussy and Robert Schumann, alongside performances of his own vocal works, setting Georg Trakl poems, and Gesänge der Frühe, combining Hölderlin texts with quotations from Schumann’s music.

For New Music patron Paul Sacher's 70th birthday, Russian cellist Mstislav Rostropovich asked twelve composers, Sacher's friends, to write music for solo cello using the Sacher hexachord. (This musical cryptogram is eS, A, C, H, E, and Re, or "Sacher" spelled with German words for the pitch classes.) Holliger contributed a chaconne. Several of the compositions were premiered in Zurich on 2 May 1976. Czech cellist František Brikcius gave the first complete performance of the entire ‘eSACHERe’ project in Prague in May 2011.

Awards 1987: Léonie Sonning Music Prize 1991: Ernst von Siemens Music Prize 1994: The Prince Pierre of Monaco Music Composition Prize for (S)irató 2007: Zürich Festival Prize 2008: Rheingau Musik Preis 2016: Honorary member of the American Academy of Arts and Sciences 2017: Robert Schumann Prize of the City of Zwickau 2018: Pour le Mérite for Sciences and Arts 2022: Robert Schumann Prize for Poetry and Music

Selected works Source:

Sequenzen über Johannes I,32 (1962) for harp Siebengesang (1966–1967) for solo oboe, orchestra, voices and loudspeaker* Studie über Mehrklänge (1971) for oboe solo String Quartet (1973) Scardanelli-Zyklus (1975–1991) for solo flute, small orchestra, tape and mixed choir Come and Go / Va et vient / Kommen und Gehen (1976/1977), opera to a text by Samuel Beckett Not I (1978–1980) monodrama for soprano and tape Lieder ohne Worte (1982–1994), two sets of works for violin and piano Präludium, Arioso and Passacaglia, for two guitars (1985) Gesänge der Frühe for choir, orchestra and tape, after Schumann and Hölderlin (1987) What Where (1988), chamber opera Alb-Chehr (1991) for speaker, singers and chamber ensemble (S)irató for orchestra (1992–03) Fünf Lieder für Altstimme und großes Orchester nach Gedichten von Georg Trakl (1992–2006) Violin Concerto "Hommage à Louis Soutter" (1993–1995) Schneewittchen (1998), opera based on a text by Robert Walser Partita (1999), piano cycle Puneigä, ten songs with twelve players after Anna Maria Bacher's poems (2000/02) Ma'mounia for percussion solo and instrumental quintet (2002) Romancendres for cello and piano (2003) Induuchlen, four songs for counter-tenor and horn, for Klaus Huber (2004) Toronto-Exercises for flute (also alto flute), clarinet, violin, harp and marimbaphone (2005) Lunea (2018), opera based on texts by Nikolaus Lenau

Discography Jan Dismas Zelenka: Trio Sonatas (ECM, 1997) Sándor Veress: Passacaglia / Songs / Musica Concertante (ECM, 2000) Beiseit / Alb-Chehr (ECM, 2000) Lauds and Lamentations (ECM, 2003)