Heather George

Heather George (1907–1983) was a commercial photographer known for her industrial, fashion and outback photography, and a designer and painter.

Early life Heather George was born on 29 April 1907 in Gordon, New South Wales to father Wesley, a builder, and mother Helen. She attended public primary schools and then a boarding school in the Blue Mountains which was a better climate for her asthma. After secondary education she went to East Sydney Technical College to study art and commercial art amongst fellow students including Dahl Collings, Elaine Haxton, Joshua Smith, taught by sculptor Rayner Hoff, and later continued her studies in British-born James S. Watkins' private Sydney art school in order to concentrate on drawing.

On leaving Technical College in 1927 George went to live with her family in Canberra after its official opening, where her father and his partner had built a number of its early buildings. There, she taught art at St Gabriel's Church of England Grammar School and arts and crafts at the Y.W.C.A. She joined the Artists' Society of Canberra and was the first woman to be on its council.

On return to Sydney some years later George practised as a commercial artist designing in the then-emerging field of neon signs for businesses and theatres.

After a break from study of some years Heather again took up training in painting with fellow students Helen Lempriere, Matcham Skipper, Lesley Sinclair and Madeleine Jorgensen under the tonalist artist Justus Jorgenson in Melbourne,

Photographer By 1938, at the age of 31, George had taken up photography professionally and worked at Noel Rubie’s portrait and industrial photography studio in Sydney. over the caption "Miss Heather George, of Artarmon, is a youthful Sydney artist who has lately abandoned painting for photography". She later practiced at a series of Melbourne and Victorian country photography studios. photographing Sydney’s older suburbs, and stately homes in Hunters Hill She moved to Victoria and recorded the nineteenth-century slate-tiled warehouses of the St James Buildings, the demolition of the Eastern Markets and the construction of the King Street Bridge, the watch-tower of Melbourne’s fire station, and mud-brick buildings in Eltham.

In 1952 George stayed for months in the outback of the Northern Territory, where her sister and her sister's husband were stationed at several reservations, and there photographed indigenous subjects for whom she developed great respect and love, and others on the reserves, including school children at Areyonga Aboriginal Reserve, or working in cattle stations including Wave Hill. Castlecrag, and of other features of Sydney, including Taronga Park Zoo, the Butler Stairs of Kings Cross, the multi-storied Chevron-Hilton hotel at Potts Point under construction, the emerging street cafés Macquarie Street, and the Mitchell Library. She travelled to Hobart for pictures of the Cat and Fiddle Square Her work also appeared in Hoofs and Horns, Pix, Women's Day, as well as the National Trust Magazine.

Collections National Gallery of Victoria, Melbourne, Victoria, Australia State Library of New South Wales