Harriet Shore

Harriet Shorr (1939 – 9 April 2016 in New York), was an American artist, writer, poet and professor. She was known for large-scale realistic still life paintings.

Life Harriet Shorr was born in 1939 and grew up in Sea Gate in Brooklyn. After graduating from Swarthmore and earning BFA from Yale Shorr returned to Swartmore College to teach art. From 1963 to 1974 she directed Swarthmore's Studio Arts Program. In 1971 Shorr was selected a McDowell Fellow and worked in Alexander studio. Shorr was a member of the Foundation's Artists Advisory Committee that initiated and developed the Sharpe Walentas Studio Program as a service to living artists. She was a professor emerita of art and design at Purchase College. however during life her work has transitioned from observation of everyday objects and domestic items painted when she was at Swarthmore, to the objects placed on scarves that she painted after she came to New York, and to objects that are carefully chosen for literary, mythological, or metaphorical possibilities.

While selecting objects for the painting Shorr consciously tried not to look for them with a specific agenda in mind, nor questioned what makes them click together. When all the objects were gathered, she arranged the items on a table in her studio trying to vary the spaces between them.

Shorr didn't believe in a necessary connection between drawing and painting and did no preliminary drawing for her still life works. She used bristle brushes for the larger areas of color and longhaired brushes for the more precise modeling, created the different shapes, their shadows and the spaces between shapes, maintaining the fluidity of the painting and the practice of painting wet-into-wet that she developed after studying with Alex Katz at the Yale School of Art and Architecture. Her subject matter is still life, which Shorr believed is the most compatible with her method of painting.

Shorr was one of four realist still life painters who experimented painting the same four objects not revealing the results to one another until all four paintings were done. They repeated the same experiment ten years later and presented the results in the group exhibition Four Artists, Four Objects, Ten Years (1997). Among four artists Shorr appeared to be the most abstract in her approach.

The 2005 exhibition Cythera marked a new direction for Shorr, who is known for her more straightforward still lifes. Here, she attempted radically new works that wrestle with allegory in the guise of porcelain figurines, textiles, flowers, branches and reflective surfaces.

Shorr was among 7 artists selected for the study of Margery B. Franklin and Bernard Kaplan presented in their book Development and the Arts: Critical Perspectives (1994).

Brooklyn Museum, Brooklyn, NY Utah Museum of Fine Art, Salt Lake City, UT The Fralin Museum of Art, Charlottesville, VA Tennessee State Museum, Nashville, TN

Awards

2009 The Emil and Dines Carlsen Award in Painting N.A.D 2000 The Pollock-Krasner Award 1999 Purchase Award, American Academy of Arts and Letters 1994 American Artist Achievement Award 1994 Member of National Academy of Design 1980 National Endowment of the Arts

Books

1991, The Artist's Eye: A Perceptual Way of Painting. Harriet Shorr. Watson- Guptill. (Illus.) 2001, The Artist's Eye: A Perceptual Way of Painting. 2nd ed. Harriet Shorr. Watson-Guptill. (Illus.)