Gustave Mossa

Gustav-Adolf Mossa (28 January 1883 – 25 May 1971) was a French illustrator, playwright, essayist, curator and late Symbolist painter.

Early life Mossa was born 28 January 1883 in Nice, to an Italian mother, Marguerite Alfieri, and , an artist, founding curator of the Musée des Beaux-Arts de Nice (Nice Museum of Fine Arts) and organiser of the Nice Carnival from 1873.

Art and theatre work

Mossa received his initial artistic training from his father before studying at the School of Decorative Arts in Nice until 1900, where he became acquainted with Art Nouveau and was later introduced to the Symbolist movement after visiting the Exposition Universelle in the same year. Mossa was heavily inspired by the art of Symbolist painter Gustave Moreau and Symbolist writers, such as Charles Baudelaire, Stéphane Mallarmé, Jules Barbey d'Aurevilly and Joris-Karl Huysmans.

The main body of Mossa's public and private art work was created with water colours and strong ink lines, the subjects including caricatures, Carnival or medieval scenes, portraits and landscapes, with a fascination for the French Riveria in particular. He also created wooden reliefs, designed theatre scenery,

In 1902 he began collaborating with his father on the Nice Carnival project, designing floats and posters. Both father and son are still celebrated for raising the Carnival's prestige, and the event continues to be a major, large scale tourism attraction in Nice.

Symbolist paintings

Mossa's decade long Symbolist period (1900–1911) was his most prolific and began as a reaction to the recent boom of socialite leisure activity on the French Rivera, his works comically satirising or condemning what was viewed as an increasingly materialistic society and the perceived danger of the emerging New Woman at the turn of the century, whom Mossa appears to consider perverse by nature. mythological creatures such as Harpies or more contemporary and urban figures, such as his towering and dominant bourgeoise woman in Woman of Fashion and Jockey. (1906) His 1905 work Elle, the logo for the 2017 Geschlechterkampf exhibition on representations of gender in art, is an explicit example of Mossa's interpretation of malevolent female sexuality, with a nude giantess sitting atop a pile of bloodied corpses, a fanged cat sitting over her crotch, and wearing an elaborate headress inscribed with the Latin hoc volo, sic jubeo, sit pro ratione voluntas (What I want, I order, my will is reason enough).

Many aspects of Mossa's paintings of this period were also indictive of the decadent movement, with his references to Diabolism, depictions of lesbianism (such as his two paintings of Sappho), or an emphasis on violent, sadistic or morbid scenes.

Theatre

Mossa wrote several operas and plays, and contributed to a revival of dialectal theater with his first theatrical piece Lou Nouvé o sia lou pantai de Barb' Anto (1922), written in the Niçard dialect.

Gallery work and later life

After the death of his father, Alexis, Mossa took over the curation of the Nice Museum of Fine Arts in 1927 and would keep the position until his death in 1971. Mossa would later bequeath most of his own artistic pieces to the gallery. His works are part of The Fin-de-Siècle Museum section of the Royal Museums of Fine Arts of Belgium.

Solo 1909 Nice, L'Artistique, Exposition d'oeuvres d'Alexis et de Gustav Adolf Mossa 1911 Paris, Galerie Georges Petit, Exposition d'oeuvres de G.A. Mossa 1913 Nice, Musée Municipal, Exposition d'images sur l'oeuvre de Schumann par G.A. Mossa 1913 Paris, Galeries George Petit, Exposition d'images de G.A. Mossa, inspirées par l 'oeuvre de Schumann 1974 Nice, Musée Jules Chéret, Alexis et Gustav Adolf Mossa, peintres niçois 1978 Nice, Galeries des Ponchettes, Gustave Adolf Mossa et les symboles 1989 Yokohama, Galerie Motomachi, Gustave Adolf Mossa 1992 Paris, Pavillon des Arts, G. A. Mossa: L'Oeuvre symboliste 1903–1918''' 2010 Belgium, Felicien Rops Museum, L'oeuvre Secrète de Gustav-Adolf MossaGroup Jean-Roger Soubiran, Gustav Adolf Mossa: 1883–1971, 1985, & Sylvie Lafon, Gustav Adolf Mossa: La scène symboliste 1993 & Jean Forneris, Gustav Adolf Mossa 1994, Gl. Holtegaard, Gustav-Adolf Mossa 1903–1918: Symbolist Works, 1999, & Felix Kramer, Battle of the Sexes: From Franz Von Stuck to Frida Kahlo,'' 2017, &