Gabrielle L'Hirondelle Hill

Gabrielle L'Hirondelle Hill (born 1979) is a Cree and Métis multimedia artist and writer, living and working in Vancouver, British Columbia, Canada. Through creating sculptures, collage, and installation works with found objects, she explores and questions the capitalistic treatment of land as an economic capital, which leads the land contamination and violence against people living on the land. As a member of BUSH Gallery, Hill is also involved in group art projects, through which artists embody the indigenous way of knowing and art practice, as a means of decentralizing Eurocentric theorization of art.

Early life and education Gabrielle L’Hirondelle Hill was born in 1979 in Comox, British Columbia, Canada. She is also the co-editor of the books including The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation (published by ARP Books, 2009) and Read, Listen, Tell: Indigenous Stories from Turtle Island (Wildred Laurier University Press, 2017).

Hill's work has been exhibited at multiple art galleries in Canada and United States, including the Morris and Helen Belkin Art Gallery, Western Front, Polygon Gallery, grunt gallery, Sunset Terrace, Gallery Gachet, and Unit 17 in Vancouver; Cooper Cole, Gallery TPW, the Woodland School, and Gallery 44 in Toronto; SBC galerie d’art contemporain in Montreal; the Alberta Art Gallery in Edmonton; Stride Gallery in Calgary; SOMArts in San Francisco; and Get This! Gallery in Atlanta, Georgia.

Selected artworks

Loose Spells is a set of labour-intensive collage painting. The paper was first coated by tobacco-infused Crisco oil repeatedly applied by the artist. The layered oil required several months for paper and applied pigments to dry. Once the paper was fully dried, Hill attached her found materials, including wildflowers, beer can tabs, magazines and knick-knacks from a dollar store, to the paper surface by gluing and sawing. Loose Spells embodies Hill’s ongoing interest to seek the links between the ephemeral and tangible. Visualization of settlers' impact on indigenous culture and living environment through Hill's personal life, is a frequent theme found in her work. Coney Island Baby is a film created in collaboration with Jeneen Frei Njootli, Chandra Melting Tallow, and Tania Willard with cinematographers Amy Kazymerchyk and Aaron Leon. It records a collective art project performed during winter in Secwépemc Nation territory. The film captures the process of the artists self-learning how to snare wild rabbits by using knowledge shared by women in Indigenous communities. This piece suggests the life of shared sustenance as an alternative to a capitalist economy.

Exhibitions Hill's work has been shown in multiple art institutions across North America.

Solo exhibitions include:

Projects: Gabrielle L’Hirondelle Hill, June 27 - September 13, 2020, The Museum of Modern Art, New York Gabrielle L’Hirondelle Hill: Four Effigies for the End of Property, 2020, College Art Galleries at the University of Saskatchewan, Saskatoon Li Salay, May 25 - September 9, 2018, Art Gallery of Alberta, Edmonton Summer Institute Session II: Site/ation with BUSH gallery, August 7–24, 2018, Plug In Institute of Contemporary Art, Winnipeg bust/boom, May 25 - June 29, 2018, The New Gallery, Calgary These Hands, Mar 23 - May 5, 2018, Western Front, Vancouver Patrick Cruz + Gabrielle L'Hirondelle Hill: Other-Portraits, September 15 - November 3, 2017, Stride Gallery, Calgary To refuse/To wait/To sleep, January 12 - April 9, 2017, Morris and Helen Belkin Art Gallery, Vancouver Town + Country: Narratives of Property and Capital, January 10 - April 13, 2025, Morris and Helen Belkin Art Gallery, Vancouver An Indigenous Present, October 9, 2025 - March 8, 2026, Institute of Contemporary Art, Boston