Francis de Croisset

Francis de Croisset (; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist.

Early life Born as Franz Wiener, he was educated in Brussels on 28 January 1877 into a prominent Jewish-Belgian family that was distinguished in diplomacy and the army. His parents were Alexandre Jacques Wiener and Eugenie Bertha (née Straus) Wiener. After moving to France, where he spent most of his life, he had his name changed by Presidential decree.

In 1919, de Croisset went to the United States to study film for the French government. By 1927, his name was attached to more than fifty plays. In 1925, he collaborated with Somerset Maugham on Dr. Miracle, which was produced in New York City.

Military service Notwithstanding his aversion to a career in the military, upon the outbreak of World War I, he enlisted in the French Army as a private, serving for four years before mustering out as a Lieutenant. He was twice decorated for his gallantry, including being awarded the Croix de Guerre for his valor. From her first marriage to banking heir Maurice Bischoffsheim, she had a daughter, the arts patron Marie-Laure de Noailles (later the Vicomtesse de Noailles from her 1923 marriage to Charles, Vicomte de Noailles). Together, Marie-Thérèse and Francis were the parents of two children:

Philippe de Croisset (1912–1965), who married Ethel Woodward, a daughter of American banker William Woodward, in 1941. After having two sons, they divorced and Philippe married Jacqueline de la Chaume. After his death in 1965, she became the third wife of actor Yul Brynner. Germaine de Croisset (1913–1975), who married Marquis André Roger Lannes de Montebello (1908–1986), in 1933.

De Croisset died at the American Hospital of Paris in Neuilly on 8 November 1937.

Filmography The Marriage of Kitty, directed by George Melford (1915, based on the play La Passerelle) Arsène Lupin, directed by George Loane Tucker (UK, 1916, based on the play Arsène Lupin) Arsène Lupin, directed by Paul Scardon (1917, based on the play Arsène Lupin) The Hawk, directed by Paul Scardon (1917, based on the play L'Épervier) L'Épervier, directed by Robert Boudrioz (France, 1925, based on the play L'Épervier) Afraid to Love, directed by Edward H. Griffith (1927, based on the play La Passerelle) The New Gentlemen, directed by Jacques Feyder (France, 1929, based on the play Les Nouveaux Messieurs) Arsène Lupin, directed by Jack Conway (1932, based on the play Arsène Lupin) Les Vignes du Seigneur, directed by René Hervil (France, 1932, based on the play Les Vignes du Seigneur) Il était une fois, directed by Léonce Perret (France, 1933, based on the play Il était une fois) Ciboulette, directed by Claude Autant-Lara (France, 1933, based on the operetta Ciboulette) L'Épervier, directed by Marcel L'Herbier (France, 1933, based on the play L'Épervier) Le cœur dispose, directed by Georges Lacombe (France, 1936, based on the play Le Cœur dispose) Take My Tip, directed by Herbert Mason (UK, 1937, based on the play La Livrée de M. Le Comte) Head over Heels, directed by Sonnie Hale (UK, 1937, based on the play Pierre ou Jack?) Woman of Malacca, directed by Marc Allégret (France, 1937, based on the novel La Dame de Malacca) Another World, directed by Marc Allégret and Alfred Stöger (German, 1937, based on the novel La Dame de Malacca) A Woman's Face, directed by Gustaf Molander (Sweden, 1938, based on the play Il était une fois...) A Woman's Face, directed by George Cukor (1941, based on the play Il était une fois...) Les Vignes du Seigneur, directed by Jean Boyer (France, 1958, based on the play Les Vignes du Seigneur) Le Maestro, directed by Claude Vital (France, 1977, based on the play Les Vignes du Seigneur)