Firmin Baes

Firmin Baes (18 April 1874 – 4 December 1943 ) was a Belgian painter, pastel artist, draughtsman and print designer. His subject matter ranged from still lifes, genre scenes, portraits, nudes, landscapes and interiors. He became particularly skilled in working in pastel, a medium he used almost exclusively after 1900. He published in 1941 an illustrated booklet entitled Histoires de peintres racontées et illustrées par Firmin Baes containing anecdotes relating to painters and their work.

Baes was brought up in a family of artists. In addition to his father, his uncle Jean-Baptiste Baes was an architect. Firmin was trained as a decorator along his father while decorating patrician houses and making decorative panels for hotels in Brussels. His career as a decorator developed parallel to his vocation as a painter. While working with his father he met around 1880, the painter Léon Frédéric who became his master. From 1888 to 1894, Baes was enrolled at the Académie Royale des Beaux-Arts in Brussels, where he studied at same time as Emile Fabry and Victor Rousseau, who became his friends. With these artists he got involved in the so-called 'Académie de la Patte de Dindon' (Academy of the Turkey Paw) from 1894.

In 1897 he competed in the Prix Godecharle with a work called The Prodigal Son but he lost to Alfred Bastien. He became close to the group of artists around the magazine Pour l'Art which was published by Octave Maus, Edmond Picard and Emile Verhaeren. In 1898, Firmin Baes joined the group which already counted Jean Delville, Victor Rousseau, Hector Thys, Emile Fabry and others as its members. In 1900, he exhibited at the show Pour l'Art an oil on canvas painting of Archers with which later that year he obtained the bronze medal at the World's fair of Paris.

He was made an Officer in the Order of the Crown in 1923.

Work Firmin Baes was a prolific artist who painted, made works in pastel and designed prints and posters. His subject matter ranged from still lifes, genre scenes, portraits, nudes, landscapes and interiors. He became particularly skilled in working in pastel, a medium he used almost exclusively after 1900.

Baes was active as a lithographer and designed various exhibitions posters for the Pour l'Art artist circle.

A writer in his spare time, Baes authored an illustrated booklet entitled Histoires de peintres racontées et illustrées par Firmin Baes (Histories of painters told and illustrated by Firmin Baes), containing anecdotes relating to painters and their work (published in 1941 in Brussels, Librairie Générale-Cooreman).