Eliot Porter

Eliot Furness Porter (December 6, 1901 – November 2, 1990) was an American photographer best known for his color photographs of nature.

Early life and education Porter credited his father, James Porter, with instilling in him a love for nature as well as a commitment to scientific rigor. An amateur photographer since childhood, Eliot Porter found early inspiration photographing the birds on Maine's Great Spruce Head Island owned by his family. Porter earned a Bachelor of Arts degree in chemical engineering from Harvard College and a Doctor of Medicine from Harvard Medical School, and remained at Harvard after graduation as a medical researcher. One of Eliot Porter's five siblings was the painter and art critic Fairfield Porter.

Career Fairfield Porter introduced his older brother to photographer and gallerist Alfred Stieglitz in about 1930. Stieglitz, after seeing Porter's work, encouraged Porter to work harder. Finally, in 1938, Stieglitz presented Porter's work, taken with a Linhof view camera, in his New York City gallery, An American Place. The exhibit's success prompted Porter to pursue photography full-time. thumb

Porter became interested in colour photography after a publisher rejected a proposal for a book on birds because black and white images wouldn't clearly differentiate the species. Porter began working with a new color film, Kodachrome, introduced in 1935, but it presented considerable technical challenges, especially for capturing fast-moving birds. Drawing on his chemical engineering and research background Porter experimented extensively until he was able to produce satisfactory images. His solo exhibition at Limelight Gallery, NYC., March 21-April 17, 1955 was effectively a retrospective of this work.

For twenty years, Porter pursued a project to publish nature photographs combined with quotes from works by Henry David Thoreau. Not until an associate introduced him to the executive director of the Sierra Club did Porter find a willing publisher. He was elected a Fellow of the American Academy of Arts and Sciences in 1971. In 1979 the work of Eliot Porter was exhibited in Intimate Landscapes, the first one-person show of color photography at The Metropolitan Museum of Art, New York. This exhibition earned Porter praise as the individual who brought credibility to color photography as a medium of fine art. The image selection defined what is now meant by the term “intimate landscape”: the close-range, quiet compositions of natural elements with muted colors and dense textures, meditative and dense with layered meanings, which were the hallmark of Porter's work at the exclusion of more expansive and spectacular landscapes.

Porter traveled extensively to photograph ecologically important and culturally significant places. He published books of photographs from Glen Canyon in Utah, Maine, Baja California, Galápagos Islands, Antarctica, East Africa, and Iceland. His cultural studies included Mexico, Egypt, China, Czechoslovakia, and ancient Greek sites. His book on Glen Canyon, The Place No One Knew, memorialized the canyon's appearance before its inundation by the Lake Powell reservoir.

James Gleick’s book Chaos: Making a New Science (1987) caused Porter to reexamine his work in the context of chaos theory. They collaborated on a project published in 1990 as Nature's Chaos, which combined his photographs with a new essay by Gleick.