Edison Machado

Edison dos Santos Machado (January 31, 1934 – September 15, 1990) was a self-taught Brazilian drummer and composer. Through his creation of the samba no prato (samba on the cymbals) and his early recordings, he helped shape Brazilian samba and bossa nova. Throughout his life, he collaborated frequently with a variety of musicians including Chet Baker and Ron Carter and was recorded in over 50 albums until his sudden death in 1990. Despite the impact he made as one of the founders of bossa nova his name has been largely forgotten.

Biography

Early life and career beginnings: 1934–1957 Edison Machado grew up in the suburbs of Engenho Novo of the then capital of Brazil, Rio de Janeiro. In his childhood, he started to teach himself how to play the drums. In watching and listening to famous Brazilian drummers such as Luciano Perrone and Edgar Nunes Rocca he would follow along drumming on his legs to learn their techniques. In the years after World War II Machado, like many other adolescents in Brazil, experienced the heyday of Rádio Nacional and was inspired by American be-bop jazz drummers Art Blakey and Max Roach. In 1949 at the age of 17 While continuing to play the drums Machado would go onto accidentally create a play style that would go onto influence modern samba. What occurred was that whilst playing with a samba band, Machado's snare drum broke. Not wanting to disrupt the flow of the music, he proceeded to play on the ride cymbal with his right hand, while he using his left hand to add syncopated accents on a tom drum. These clubs where well known for its having new innovative musicians of which played every night. In 1957 at the age of 23, Machado would join his first major group Turma da Gafieira which went onto record their first albums Turma da Gafieira and Samba em Hi-Fi in the same year.

Career success: 1957–1980 In the years after playing with Turma da Gafieira, Machado went continue building a reputation for himself collaborating with Dionysio de Oliveira Filho, Paulo Moura and Luiz Bonfá. By 1961 Machado, went onto help create a group called the Bossa Três which was one of the first instrumental Bossa Nova groups of the time. Consisting of Luiz Carlos Vinhas on piano and Tião Neto on the double bass the group went onto debut at the Lane in 1962. By the start of 1963, the group were playing in New York under a contract from Sidney Frey, the owner of Audio-Fidelity. Frey went onto record multiple sessions to sell to the American music market, advertise them on the Andy Williams Show and to feature them at the Village Vanguard. Despite the Bossa Três' relative success, they missed opportunities to play at venues like Birdland because Machado was not able to read music due to being self-taught.

Discography

As leader/co-leader 1964: Edison Machado é Samba novo 1970: Obras 1971: Obras 2 1989: Edi

With Bossa Três 1963: Os Bossa Três 1963: Bossa Três and Jo Basile 1965: Bossa Três e amigos 1965: Bossa Três Em Forma!

With Bossa Três and Pery Ribeiro 1966: Encontro

With Rio 65 Trio 1965: Rio 65 Trio 1966: A Hora E Vez Da M.P.M.

Compilations 1966: Love, Strings and Jobim

As sideman With Turma da Gafieira 1957: Turma da Gafieira 1957: Samba em Hi-Fi With Paulo Moura 1958: Escolha E Dance

With Dionísio e Seu Quinteto 1959: Romance no Texas Bar 1959: Sax & Ritmo

With Luiz Bonfá 1962: O Violão E O Samba

With Antônio Carlos Jobim 1963: The Composer of Desafinado Plays

With Meirelles e os Copa 5 1964: O Novo Som

With Hector Costita 1964: Impacto

With Salvador Trio 1965: Salvador Trio 1966: Tristeza

With Stan Getz 1966: Stan Getz with Guest Artist Laurindo Almeida

With Tania Maria 1969: Apresentamos

With Ron Carter 1981: Patrão

With Gene Bertoncini & Michael Moore 1986: O Grande Amor

Filmography 1964: Entranced Earth (credited as Edson Machado) 1965: Crónica da Cidade Amada