David Ahern

David Anthony Ahern (2 November 1947 – 31 January 1988) was an Australian composer and music critic, who became a prominent artist in the avant-garde genre after his best-known work, Ned Kelly Music was released and performed at the Sydney Proms music series.

Born and raised in Sydney, Ahern decided to become a composer in his mid-teens, and studied composition under Nigel Butterley and Richard Meale. His first performed work, After Mallarmé, was recorded by the South Australian Symphony Orchestra and was submitted to the International Rostrum of Composers in Paris. He travelled in Europe in the 1960s, studying under Karlheinz Stockhausen in Germany and Cornelius Cardew in London.

Early life David Ahern was born on 2 November 1947 in Sydney. As a young boy, he learned how to play the violin and taught himself composition and piano. At the age of 15 he decided that he undoubtedly wanted to become a composer, and within a year he had already composed over 50 pieces. Then he began studying with Nigel Butterley and, later, Richard Meale. Ahern approached Butterley for lessons, and they had a couple of sessions together before he began working under the direction of Meale.

During his time with Meale, Ahern had written his first performed composition, After Marllarmé. The piece was performed and recorded by the South Australian Symphony Orchestra and conducted by Patrick Thomas. Although John Hopkins immediately inducted After Marllarmé into the 1967 International Rostrum of Composers in Paris, France, Meale was critical of the piece. In a later interview Meale described his knowledge of music theory and style of composition as basic and underdeveloped.

During 1968, Ahern followed Karlheinz Stockhausen and his studies at his International New Music summer course (Musik für ein Haus project) in Darmstadt and the Cologne New Music course. After that, Ahern made his way to London to study with Cornelius Cardew. While he attended Cardew's classes at Morley College, Ahern fell in love with the scene that Cardew was cultivating in the city.

Following his time with Stockhausen and Cardew, Ahern returned to Sydney in late 1969 and was inspired to create a weekly course in experimental music called "Laboratory of the Creative Ear," which later evolved into an ensemble called AZ Music which was influenced by Cardew’s Scratch Orchestra.

Career Ahern wrote many compositions between 1970 and 1975. Among them were Reservoirs (1970), a set of three verbal compositions called Stereo/Mono (1971), a live performance of electronic work for wind soloist and utilizing feedback; The Rudiments of Music (1973), a chapter to Journal (1968) that attempted to establish basic elements necessary for making music. He also founded an improvisation group with two other people called the Teletopia in 1970, but disbanded in 1972.

Compositions Ahern composed pieces for orchestras, chamber ensembles, small groups, soloists and film scores. He is known for experimenting with non-musical instruments and objects to create eccentric the eccentric melodies found in his compositions.