Clifford Curzon

Sir Clifford Michael Curzon CBE (né Siegenberg; 18 May 19071 September 1982) was an English classical pianist.

Curzon studied at the Royal Academy of Music in London, and subsequently with Artur Schnabel in Berlin and Wanda Landowska and Nadia Boulanger in Paris. In his early career he was known for his performances of Romantic and virtuoso music, and for championing modern works. Later he concentrated on composers such as Mozart, Beethoven, Schubert and Brahms. He played regularly in continental Europe and North America, making tours in the 1930s and for most of his post-war career.

Although signed to a recording company, Decca, for most of his career, Curzon was not at ease in the studio, and vetoed the release of many of his recordings, some of which were published after his death.

Life and career Early years Curzon was born in Islington, London, the younger son and second of three children of Michael Siegenberg, a Jewish antiques dealer, and his wife Constance Mary, née Young. The family name was changed to Curzon in August 1914, shortly after the outbreak of the First World War. The household was musical: Mary Curzon was a talented amateur singer, Michael's sister was a professional singer, and his uncle, the composer Albert Ketèlbey was a frequent visitor, and his performances of his music on the family piano were the young Curzon's earliest abiding musical memories. |group= n At around the time Curzon was graduating, his father became seriously ill, affecting the family business; money became short, and in 1926 Curzon, though not drawn to teaching, accepted a salaried post as a sub-professor at the RAM. One of his pupils at this period was Constance Warren, two years his senior. He continued to pursue a career as a soloist. A family friend introduced him to Sir Thomas Beecham, who was sufficiently impressed by Curzon's playing to engage him as soloist in Mozart's Coronation Concerto at the Queen's Hall.

In 1928 Curzon temporarily left the RAM. A legacy from the mother of a colleague enabled him to move to Berlin for two years, to study with Artur Schnabel. He then studied with Wanda Landowska and Nadia Boulanger in Paris. Curzon believed that his own pianistic style owed much to the examples of Schnabel and Landowska; although, he said, they disliked each other and were diametrically opposite in their musical aesthetics, he learned about phrasing from Schnabel and about precision of technique from Landowska. and made his US debut in 1939, returning regularly for many years after the Second World War. but his friendship with Benjamin Britten led to many joint concerts by the two musicians.

After the war Curzon began to limit his appearances in the concert hall and recording studios, devoting himself to extensive periods of private study. Throughout his career he maintained a rigorous regime of practice, playing for several hours every day.

Together with Joseph Szigeti, William Primrose and Pierre Fournier Curzon formed the Edinburgh Festival Piano Quartet in 1952. In The Manchester Guardian, Neville Cardus wrote, "They do not quite make an easeful ensemble. The ear is constantly attracted by individual touches of fine musical art, but we receive a sense that each master is playing with his eye on the other, so as not to overstep the bounds of modesty." As a soloist Curzon made American tours in the years between 1948 and 1970, played at European music festivals and toured the continent with the BBC Symphony Orchestra and Sir Malcolm Sargent in 1954. They had no offspring, but they adopted the two sons of the soprano Maria Cebotari after she and her husband died young.

Honours In 1958 Curzon was appointed Commander of the Order of the British Empire (CBE), and in 1977 he was knighted. He was elected a Fellow of the RAM in 1939, and in 1980 he received the Royal Philharmonic Society's gold medal. He was an honorary fellow of St Peter's College, Oxford (1981) and was awarded honorary doctorates by the universities of Leeds (1970) and Sussex (1973).

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