Christine Abrahams

Christine Abrahams Gallery, first named Axiom, was a Melbourne gallery showing contemporary Australian art between 1980 and 2008.

Foundation Christine Abrahams (5 March 1939 – 15 September 1994) graduated with a Bachelor of Arts from Melbourne University in 1961 majoring in Fine Art. She was a guide at the National Gallery of Victoria for several years, then assisted Patrick McCaughey with research at 'Monash University, after her marriage to husband Daryl (born 1935), with whom she had three sons Guy, Damian and Ari.

Artist Lenton Parr said of Christine that she valued art "as a gift to the spirit and a source of pleasure and enlightenment," while then director of the National Gallery of Australia, Betty Churcher valued her generosity and enthusiasm, saying she "provided Melbourne with a space and an intellectual climate for some of the most interesting contemporary art from both Australia and overseas."

Abrahams was Manager of Powell Street Gallery between 1976 and 1980 (the lessees were Melbourne solicitor Harry Curtis and a Caulfield doctor, David Rosenthal).

Axiom Until 1982, Abrahams was co-director of Axiom Gallery, established in March 1980 at the address of the future Christine Abrahams Gallery, 27 Gipps Street Richmond, an inner, once-industrial, suburb of Melbourne. In the same precinct an increasing number of other commercial galleries, including the long-running Pinacotheca, Niagara Galleries, Stuart Gerstman, and Church Street Centre for Photography appeared. and was followed by a solo of works by photographer David Moore. By 1982, when the gallery was renamed, Abrahams in an interview proudly detailed its record in supporting women artists; "Eight out of 16 artists we've shown this year have been women. We don't choose them because they're women but because the work is really exciting." 1980, July/Aug: Victor Majzner 1980, September: Helen Geier 1980, December: Group exhibition: Lesley Dumbrell, Roger Kemp, Sandra Leveson, Victor Majzner, Fred Williams and photographs by David Moore and Max Dupain 1981, February, 7-20: Polly Courtin (painting), Tim Bass (drawing), Nanette Carter (photographs), Tom Psomatragos (photographs) 1981, 7–19 March: William Kelly drawings 1981, April: Gisèle Freund photographs 1981, May: Kevin Connor 1981, June: Roy Churcher 1981, June: Michaela Brysha Hair Curler Series 1981, July-18 August: John Walker 1981, August: The Figure in Drawing and Painting: John Brack, William Frater, Gil Jamieson, Jon Molvig, Merv Moriarty, Peter Powditch, Tony Underhill. Works on Paper, Jeremy Barrett 1981, September: Three American Painters: Alan Cote, Ray Parker, Harvey Quaytman 1981, September-22 October: Fred Cress 1981, November: Lenton Parr 1981, to 12 November: Pamela Wragg 1981, to 11 December: Adrian Kerfoot 1982, 13 February – 3 March: Simon Blau, Peter Brooks, David Hawkes, Peter Jones, Barbara Neil, Susan Norrie, with Julie Patey charcoal drawings. 1982, to 25 March: Robert Owen 1982, to 22 April: Victor Majzner 1982, to 25 June: Enzo Cucchi, Mimmo Paladino, Francesco Clemente, Nicola de Maria, Sandro Chia 1982, 26 June – 15 July: Marion Borgelt paintings, Tony Woods, drawings 1982, to 9 December: Lesley Dumbrell paintings and watercolours, Sue Ford Photo Book Of Women: 1961- 1982, traveling show from the Art Gallery of New South Wales 1982, to end December: ceramic sculptures by James Draper, and One Year Hence, jewellery by former students of RMIT and their lecturer, Robert Baines In summing up the year 1980, critic Brigid Cole-Adams described Axiom as a "good more conventional gallery with interesting contemporary work including both abstract and new realist styles."

Renamed Christine Abrahams Gallery In December 1982 Axiom gallery closed, and with Abrahams as director, was eponymously renamed the 'Christine Abrahams Gallery', reopening on 12 February 1983. It showed a broad spectrum of visual arts by contemporary, including photography, by architects, and craftspeople and indigenous artists, Stuart Gerstman Gallery opened next door at number 29 in April 1983. In 1987 Christine's son Guy Abrahams joined her as co-director of the gallery.

The building had been converted in 1980 from a clothing factory by the architect of Abrahams' own 1982 Brighton residence, Daryl Jackson, who designed Abrahams own house in Beaumaris, preserved the industrial aesthetic of exposed trusses, bare concrete floors and steel roller-door. Jackson himself exhibited at the gallery in April 1984, showing drawings and models for a 'more humane' neo-industrial style. Critic Robert Rooney described the renovation as "spacious and well-planned, and an ideal setting for...large paintings." The configuration of the gallery with a smaller space to the left of the main gallery allowed for shows of smaller 'works on paper' (usually drawings, photographs, or prints) simultaneously with shows usually of larger paintings or sculpture. The gallery was recommended in 1994 as a favourite by Susan Fereday, then director of the Centre for Contemporary Photography and Merryn Gates director of the Ian Potter Museum of Art, University of Melbourne.

Exhibitions under the name 'Christine Abrahams Gallery' 1983, February: Eight artists, including Ann Weir and Daniel Kogan 1983, to 24 March: Fiona Orr, sculpture (main gallery) and Wendy Stavrianos prints (side gallery) 1983, to 15 April: Genny Haasz, drawings and monoprints. 1983, 20 April to 12 May: Stephen Spurrier paintings, and Sandringham Series by Craig Gough 1983, to 2 June: Ann Thomson, collages and painting 1983, to 6 July: Fred Cress, paintings and Marcus Shanahan, sculpture 1983, to 4 August: Sydney Ball paintings and drawings 1983, to 15 October: Loretta Quinn sculpture, Adrian Kerfoot painting 1983, to 26 October: Judy Silver, Paperworks and Constructions 1983, to 17 November: Elizabeth Gower paintings, and John Firth-Smith lithographs 1983, 22 November to 8 December: Clive Murray-White, John Ballany and Terry Setch 1983, to 24 December: Furniture by Dael Evans, Jane Joyce, Roger Wood and Randall Marsh 1984, to 12 April: Daryl Jackson, architectural drawings and John Gollings photographs of Jackson's architecture 1984, to 31 May: Akio Makigawa sculpture and Carlier Makigawa small jewellery/sculpture works 1984, 5 June to 25 June: Marion Borgelt paintings, Tom Fantl The Prague Suite 1984, from 14 July: Le Corbusier, etchings 1984, to 30 August: Victor Majzner, Daniel Kogan 1984, 5 September to 5 October: Bulun Bulun, bark paintings 1984, to 1 November: Lesley Dumbrell, paintings 1984, to 22 November: New Sculptors, New Sculpture, Loretta Quinn, Bruce Armstrong, Peter D. Cole, Ray Woolard, Lyn Plummer, Fiona Orr, Lenton Parr, Clive Murray-White, Hilary Mais 1984, to 20 December: Self-serve. Supermarket Style Fashion Fashion Design Council of Australia exhibition/sale of fashion 1984, to 27 December: Works on Paper group show 1985, February: Grant Mudford, photography 1985, March: prints by Barbie Kjar, paintings by Denise Green 1985, May: Helen Geier, paintings 1988, 26 September – 13 October: Mark Strizic, Melbourne 1954 – 1964 1989, May: Wild Beast, Michael Kemp; paintings by Helena Kazepis 1988, to 3 November: Maria Kuczynska, sculpture 1994 24 February: Italian Journey by Alexandra Copeland; David McLeod, paintings 1994 to 24 March: Sculpture by Antonio Colangelo, and Maria Kuczynska 1994, to 21 April: Fred Cress 1994, 25 April–19 May: Paintings and etchings by Voula Therios; Recent work by Stephen Birch 1994, to 16 June: Grass fibre weavings from Ramingining and Back to the Future, photographs by Jeff Carter 1994, to 14 July: paintings by Mandy Martin; Scenes of the Passion, photographs by Maria Grande 1994, 16 July–11 August: prints by Barbie Kjar, paintings by Denise Green 1994, 15 August – 8 September: Paintings and works on paper by Aida Tomescu 1994, 15 September–6 October: Michael Johnson 1994, October: Travelling East: photographs of Asia by Richard l'anson 1994, November: Fiona Murphy, ceramics 1994, 5–23 December: Second Hand, works by Miyuki Nakahara; Wall mounted works in glass by Warren Langley 1995, 14–31 August: Melbourne in the '60s – an exhibition of photographs by Mark Strizic 1997, to 20 March: Marion Borgelt 2000, to October 12: Mandy Martin, Salvator Rosa Series III

Closure After Christine's premature death at age 55 from cancer the gallery was operated by her son Guy Abrahams, who had been co-director since 1987.

The gallery was closed after 28 years in November 2008. The Gallery archive was donated to the State Library of Victoria.

Influence Christine initiated the influential Australian Contemporary Art Fair (now Melbourne Art Fair) and was a member of its organising committee in 1988, 1990 and 1992. She was on the board of the Fifth Australian Sculpture Triennial (1993) and was a member of the Visual Art Export Group of the Australia Council and the Craft Council of Victoria.