Christer Strömholm

Ture Christer Strömholm (22 July 1918 – 11 January 2002), also known by the pseudonym Christer Christian, was a Swedish photographer and educator. He is known for his intimate black and white street photography portrait series, particularly his portraits of transgender women in Paris. Strömholm received the 1997 Hasselblad Award.

Life and career Strömholm was born in Vaxholm, Sweden, to Lizzie Strömholm and Fredrik Strömholm, an army officer. His childhood was marked by family instability. The family moved frequently, and in 1924 his parents divorced, but remarried shortly thereafter. In 1934, Strömholm's father died by suicide.

Beginning in 1932, Strömholm was active in the Nazi Nordic Youth movement, modelled after Hitler Youth. He led one of its cells during this time, and in 1936 hoisted a flag of a swastika on the People's House in Stockholm. Over the course of his young adulthood, however, his political perspective changed; he joined the Swedish Volunteer Corps at the age of 21, and supported the Norwegian resistance movement later in the war.

In 1937 Strömholm travelled to Dresden to study art under the German painter . However, he came into conflict with Paul Klee and other Bauhaus artists, and his stay in Dresden was brief.

In 1938, Christer Strömholm and other young Nazis broke into the socialist organization Clarté's offices and stole membership lists. He was sentenced to conditional labor. In 1945, after the end of the war, Strömholm sheltered Norwegian Nazis and war criminals on the run who had been volunteers in the Waffen-SS. He was convicted for this in court.

Strömholm was a member of Otto Steinert's Fotoform group of photographers for subjective photography. Alumni of the school include production designer Anna Asp, cinematographer Bille August, and photographers Anders Petersen, Björn Dawidsson (Dawid), and Gunnar Smoliansky. He is noted for his depictions of transsexual women in the Place Blanche area of 1950-1960s' Paris, published as Les amies de Place Blanche. The historian Philip Charrier has investigated how Strömholm represents his Place Blanche trans subjects relative to their own self-narratives and period societal views on transness. The critic Sean O'Hagan, writing in The Guardian, said he "is known as the father of Swedish photography both for his abiding influence and for his role as a teacher."