Charles de Noailles

Charles de Noailles or Arthur Anne Marie Charles, Vicomte de Noailles (26 September 1891 – 28 April 1981) was a French nobleman and patron of the arts.

Biography Charles was born in Paris on 26 September 1891, the son of François Joseph Eugène Napoléon de Noailles and Madeleine Marie Isabelle Dubois de Courval. He married Marie-Laure Bischoffsheim on 9 February 1923 and the couple moved into 11 Place des États-Unis in Paris. Charles' mother gave them a plot in Hyères, for which first Mies van der Rohe and then Le Corbusier was asked to design a house. Ultimately, they asked Robert Mallet-Stevens, who would design Villa Noailles.

Their first daughter, Laure, was born on 8 September 1924. In December 1925, their house in Hyères was finished, and Charles and Marie-Laure would continue to expand Villa Noailles over the years. Natalie, their second daughter, was born 28 December 1925.

Charles died on April 28, 1981 in Grasse. He is buried in Montparnasse Cemetery in Paris.

Patrons of the arts Charles and Marie-Laure de Noailles were patrons of the arts. Their Hôtel particulier at Place des Etats-Unis was restored in the modern art style in 1926 by Jean-Michel Frank. It was a focus for a large circle of artists and intellectuals in Paris during the Surrealism era.

In 1929, Charles de Noailles bought the manuscript of The 120 Days of Sodom, the first great work of the Marquis de Sade. His wife Marie-Laure was a direct descendant of de Sade.

Charles financed Man Ray's Dada film Les Mystères du Château de Dé (1929), which centers around Villa Noailles in Hyères. He also financed Jean Cocteau's film Le Sang d'un Poète (1930) and Luis Buñuel's L'Âge d'Or (1930), which was co-written by Salvador Dalí. Charles and his wife appeared in Les Mystères du Château de Dé as well as Le Sang d'un Poète.

In 1929 or 1930, Charles made possible the career of Salvador Dalí by purchasing in advance a large work for 29,000 francs, thus enabling Dali and Gala Dalí to return from Paris to Portlligat and devote themselves to his art.

The de Noailles had an extensive correspondence with French composer and pianist Francis Poulenc and commissioned him on two occasions. Poulenc received 25000 Francs for Aubade, which he wrote for one of the de Noailles' balls at Place des États-Unis, where it premiered on June 18, 1929. Le Bal Masqué, inspired by Max Jacob's Le Laboratoire Central, was written for a private celebration on April 20, 1932 at the municipal theatre in Hyères.

Gardener Charles de Noailles was an inveterate gardener. With Roy Lancaster, he published Plantes de jardins méditerranéens, and Camellia sasanqua Vicomte de Noailles was named after him.