Blek le Rat

Blek le Rat (; born Xavier Prou, 1952) is a French graffiti artist. He was one of the first graffiti artists in Paris, and has been described as the "Father of stencil graffiti".

Early life

Xavier Prou was born on 15 November 1951 in Boulogne-Billancourt in the western suburbs of Paris.

Early career and influence

Blek began his artwork in 1981, painting stencils of rats on the walls of Paris streets. He described the rat as "the only free animal in the city", and one which "spreads the plague everywhere, just like street art". His name originates from the comic book Blek le Roc, using "rat" as an anagram for "art".

French authorities identified Blek in 1991 when he was arrested while stencilling a replica of Caravaggio's Madonna and Child, with the connection to Blek and his artwork being made by police. From that point on, he has worked exclusively with pre-stenciled posters, citing the speedier application of the medium to walls, as well as lessened punishment should he be caught in the act.

British graffiti artist Banksy and Blek have expressed mutual desire for collaboration; in 2011, Blek was seen adding to a mural begun the previous year by Banksy in the Mission District, San Francisco.

Influence and opinion

He has had a great influence on graffiti-art and "guerilla-art" movements, the main motivation of his work being social consciousness and the desire to bring art to the people. Many of his pieces are pictorials of solitary individuals in opposition to larger, oppressive groups.

Blek is sceptical of the modern art scene, saying in a 2012 interview: "The art world is a big mess," he says. "Nobody cares who is a real artist. It is all about cheating people out of money." in a setting that bridges these traditional spaces—the Quin hotel in New York City—as part of the hotel's Quin Arts program. The artist created the lithographs at the New York Academy of Art during his tenure as artist in residence at the Quin hotel. Collectively entitled "Escaping Paris", the exhibit was curated by DK Johnston of The Arts Fund. The Quin's permanent collection also includes Blek le Rat's "Love America" on the 14th floor and loaned works the "Great Wedding" on the second floor, "What Has Been Seen Cannot Be Unseen" in the boardroom, and "Tango" in the lobby. Most recently, Blek le Rat commemorated this collaboration on the Quin's façade with an image of Andy Warhol.