Bartholomeus Spranger

Bartholomeus Spranger or Bartholomaeus Spranger (21 March 1546 – 27 June 1611) was a Flemish painter, draughtsman, sculptor, and designer of prints. Working in Prague as a court artist for the Holy Roman emperor Rudolf II, he responded to his patron's aesthetic preferences by developing a version of the artistic style referred to as Northern Mannerism. This style stressed sensuality, which was expressed in smoothly modeled, elongated figures arranged in elegant poses, often including a nude woman seen from behind. Spranger's unique style combining elements of Netherlandish painting and Italian influences, in particular the Roman Mannerists, had an important influence on other artists in Prague and elsewhere, in particular the Dutch Republic, as his paintings were disseminated widely through prints as well as by artists who had worked with him such as Karel van Mander.

Life

Bartholomeus Spranger was born in Antwerp as the third son of Ioachim Spranger and Anna Roelandtsinne. His father was a trader who had spent time abroad including a long stint in Rome. Showing a keen interest in drawing, he was first apprenticed with Jan Mandijn, where he stayed for 18 months. Upon the death of Mandijn, Spranger studied for some time with Frans Mostaert who died after only a few weeks. He finally studied with Cornelis van Dalem for two years after which he stayed on for another two years in the workshop of van Dalem. As his three masters were mainly known as landscape painters. Spranger further copied prints of Frans Floris and Parmigianino.

Spranger married Christina Müller, the daughter of a rich jeweller from Prague in 1582. His wife died in 1600 after all their children had died. This sad story is depicted in Aegidius Sadeler's Portrait of Bartholomeus Spranger with an Allegory on the Death of his Wife.

Work

Spranger's paintings for Rudolf mostly depict mythological nudes in various complex poses, with some connection to the Emperor's esoteric Late-Renaissance philosophical ideas. His paintings are the most characteristic of the final phase of Northern Mannerism. By far the best collection is in Vienna. His drawings have great energy, in a very free technique.

Spranger also worked as a sculptor. He may have acquired his knowledge of sculpture through his collaboration with the Flemish sculptor Hans Mont, who also worked at the Prague court. After Mont left the Prague court, Spranger appears to have worked intermittently as a sculptor for the emperor, at least until Adriaen de Vries arrived in Prague in 1601. A terracotta relief of the "Body of Christ Supported by an Angel" (Courtauld Gallery) is by his hand. The Walters Museum holds a bronze "Achelous and Deianeira" which is attributed to him. There is no record of any sculpture by Spranger in Rudolf II's collection. There are three oil paintings by Spranger in the Blanton Art Museum in Austin, Texas (Saint Catherine, Saint Ursula, Saint Margaret), along with Memento mori in the Wawel Castle Museum in Kraków, Poland and Epitaph of Nicolas Müller, Goldsmith of Prague in the National Gallery Prague.