Antonio de Salazar

Antonio de Salazar (or Zalazar) (c.1650–1715) was a Novohispano composer of the Baroque period.

Life Salazar was born in Puebla de los Angeles, current Mexico. He was first given the role of maestro de capilla at Puebla Cathedral in July of 1679. This position included skills regarding composition, teaching, and performing. Salazar would give lessons in polyphonic music to the cathedral staff while providing copies of his compositions to the archive. During this time, Salazar was being paid for his composed villancicos and chanzonetas.

Salazar composed Latin motes, hymns, and villancicos for special feasts. He also composed lighter pieces including Christmas villancicos, including several in the negrillo genre imitating the dialects and dances of African slaves. Salazar wrote sets for the Assumption (1676, 1679, 1685), Conception (1676), and St. Peter (1683).

Motets Salazar's use of counterpoint within his Latin works is thoroughly developed. For example, his piece O sacrum convivium uses imitation, antiphonal writing, and animated rhythm to create a desirable musical effect. In Quis Deus magnus, the use of contrasting major and minor modes along with initial upbeats form a distinct sound. The work Inveni David displays a tenor soloist moving between a four-part chorus and two continuo lines, emphasizing Salazar's skill in six-part counterpoint. Un ciego que contravajo canta

Hymns Christe sanctorum decus Egregie Doctor Paule